The author of Mother Rocket (1993), winner of the Flannery O'Connor Award, disappoints in this debut Love Storylike novel of a poor New Haven girl who marries a rich Yale boy only to lose him to a fatal illness. Rosa Salvatore would love to disown her blue-collar roots in New Haven's Pizza Beach, an Italian-American enclave of colorful gossips, priests, housewives, and storytellers, but Rosa's own looks, manner, and firmly implanted neuroses loudly proclaim where she came from and what she's likely to become. Now grown up and a social worker at Yale New Haven Hospital, Rosa dreams of a more mainstream future, but like her mother she expects it to arrive in the form of the right non-Italian man. Mr. Right duly appears in the guise of Gary Fisher, a wealthy Jewish law student from Long Island whose irrepressible motormouth and vaguely suspicious relationship with his domineering mother piques Rosa's interest. Having met over an indigent patient's case at the hospital, Rosa and Gary fall in love on the strength of shared physical ailments (he has allergies, she has a spastic colon), and a shared longing to turn their backs on their parents and start anew. Despite the obvious difficulties of melding his liberal, nonreligious family with her conservative, Catholic clan, the couple marry—only to find that the state of matrimony has destroyed their sexual passion and left them with nothing to talk about. The doldrums are interrupted when Rosa suffers a miscarriage and disappear altogether when Gary learns he has terminal cancer. The final scenes, in which Rosa sits by Gary's hospital bed wondering how she'll live without this obnoxious guy, are the most affecting, but they come too late to excite enough sympathy or interest. Ciresi's irreverent sense of humor and sharp eye for ethnic detail raise this story above Love Story's schmaltz, but her bland, unreflective characters just don't capture the reader's heart.
Pub Date: Sept. 20, 1996
ISBN: 0-88001-515-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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