Attorney and mother of three, Ewing is the ex-wife of New York Knick Patrick Ewing; McCrary is an entertainment lawyer married to Seattle Supersonic Greg Anthony. Between them they have a homecourt advantage in telling the stories of basketball wives. The New York Flyers have never won an NBA championship trophy, though they’ve led the Eastern Conference for two years running. Now, management will sell the team and move it out of New York if they don’t bring home a championship this year. The next six weeks of playoffs will be hell, with the players needing all the female comfort they can get. The story focuses less on the players than on the bonds holding their wives and girlfriends together: the coach’s wife, Alexis Mitchell, skillful handler of the wives, who’s much like a coach but as intent as her husband on the Flyers winning; newlywed attorney Casey Rogers, working 70 hours a week and married to the team’s star forward Brent Rogers, who swears his fidelity to Casey and expects her to give up most of her legal work to care for him and his son by a former girlfriend; Trina Bellevile, who holds the whole sport in contempt and dresses down to show it; Kelly Tucker, mother of pretty little Diamond and undergoing a much-too- long engagement with Steve (who actually has a new love interest and is edging Kelly out); superfamous, leather-jacketed singer Remy; and Dawn, first-year resident in psychiatry, hitched to a hot young rookie. The Flyers’ mostly tough women aren—t used to laying off of their men, as Alexis would have it, and they face not only an enforced, blissful silence during their husbands’ rough schedule but a scandal and murder that rock the team. A richly hard-as-nails, largely African-American sports opera as only two legal-eagle insiders could write it. (Author tour)
Pub Date: Nov. 1, 1998
ISBN: 0-380-97663-3
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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