Happy families, alike or not, do not electrifying fiction make.
Southern girls gone mild figure in Brown’s nostalgic paean to a town bifurcated by the Mason-Dixon Line.
A prefatory author’s note issues a disclaimer: “This is not a plot-driven book.” But what readers, particularly of Brown’s various mystery series, may not be expecting is that the book is also not driven by suspense or conflict. Instead, it portrays more or less happy people leading uneventful and in some cases exceedingly prosperous lives in 1920. Celeste, the protagonist, is a wealthy heiress, gorgeous, bisexual, and vaguely uncomfortable with her enforced leisure since her father left the stewardship of the family industries to her brothers. With her only partially mixed blessing, her brother Curtis has just married her longtime lover, Ramelle, who is pregnant with his child. The story, such as it is, revolves around a half-year in the lives of Celeste, her friends, and retainers in the town of Runnymede, situated on the Pennsylvania/Maryland border. Celeste falls in love with Ben, a baseball player who's a World War I veteran and an aspiring stained-glass artist. She sets about making his life better without overtly appearing to be his benefactor and wounding his male pride. Her housekeeper and cook, Cora, has two daughters, Louise and Julia, who provide the closest thing to entertainment this novel offers with their crushes and teenage rivalries, including a long-standing spat with a classmate, Dimps Jr., whose main offense seems to be large breasts. Celeste comes to the aid of her older sister, Carlotta, who runs a Catholic school, when a fire breaks out, threatening to expose a major source of the school’s and Carlotta’s income: a cellarful of bootleg liquor. (Prohibition has just descended on Runnymede’s recalcitrant citizens.) Apparently both a prequel to and recap of her other Runnymede novels (e.g. Loose Lips, 1999, Six of One, 1978, etc.), this outing serves up unremitting dollops of niceness.
Happy families, alike or not, do not electrifying fiction make.Pub Date: Oct. 18, 2016
ISBN: 9780553392654
Page Count: 336
Publisher: Bantam
Review Posted Online: July 27, 2016
Kirkus Reviews Issue: Aug. 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
