Family life is the grounding for a compelling story of strange powers and old secrets.
A young woman discovers that her inheritance from her estranged mother includes an island—and a supernatural power.
Like many of the scariest horror stories, this one is set amid family drama. A young Black woman named Layla Hurley struggles with how to mourn her mother, Elinor, a cold and exacting woman from whom Layla was long estranged. Then Layla’s aunts, Jayne and Therese, whom she hasn’t seen for years, appear at her mother’s funeral, enveloping her with the love and warmth their sister Elinor withheld. Condolence and affection aren’t all they have to offer—they want Layla to know that she has inherited Scotia Island, one of the Sea Islands off the South Carolina coast, near where the aunts live in Port Royal. One problem is that ownership is disputed by their cousin Charlotte Fortenberry, who is, to put it mildly, a difficult person. The other problem is that the island isn’t the only thing Layla inherited. It turns out that the strange, inexplicable dreams she has had off and on over the years are the manifestation of a gift—or curse—handed down through the female members of her family, the third daughters of third daughters. They are Dreamwalkers, able to enter into and experience the dreams of other people—and, if their skill is carefully developed, to manipulate those dreams. Chapters of the book jump back to the last days of the Civil War, when an enslaved woman named Gemma, Layla's ancestor, was living on Scotia Island and using that power, escalating it to frightening levels. As Layla tries to understand the nature of her own power, she also must decide whether to deploy it—and whether the outcome would be worth the cost. Woods develops complex and mostly appealing characters, and she keeps the plot moving at a swift pace.
Family life is the grounding for a compelling story of strange powers and old secrets.Pub Date: Sept. 20, 2022
ISBN: 978-1-25-080561-4
Page Count: 272
Publisher: Forge
Review Posted Online: Aug. 5, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
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