Despite a few rookie missteps, the novel's originality makes it worth reading.
Four gifted women of color inhabit a multigenerational saga of slavery, rebellion, and magic.
The novel begins in present-day Cleveland, as nursing home worker Gaelle is tending to a mysterious resident, known to staff only as Jane Doe, who has an uncanny ability to generate heat—an ability that Gaelle shares. The mute, ancient woman seems to understand Gaelle’s Creole. Gaelle’s story will recur, but the past predominates here. In 1791, Haiti’s slave rebellion is beginning, as escaped slaves known as maroons are mustering forces. Abigail, whose husband, a rebel, is executed by the whites, is taken by her mistress, Ninette, to New Orleans. Soon after arriving, though, Abigail is rescued from slavery by an ancient crone and a seemingly ageless man named Josiah, who educate her in the dark arts. As yellow fever grips 1850s New Orleans, the Hannigan family repairs to their summer residence, Far Water, with enslaved sisters Veronique and Margot in tow. However, the Hannigan fortunes fail thanks to the feckless husband of Catherine, Ninette’s granddaughter, and Veronique and Margot are sold. They embark on the Underground Railroad but only Margot survives the trek to Ohio. There, Margot is ushered into a magical, Shangri-La–like realm called Remembrance, which was founded by Abigail, now a fearsome priestess. She has erected the Edge, an invisible force field around the black community of Remembrance, barring any whites from entry. Josiah is now her chief henchman. However, white bounty hunters are near, and the Edge, due to Abigail’s increasing dementia, is fraying. Abigail strives to pass the torch to her adopted daughter, 18-year-old Winter, who exhibits powers of psychokinesis. (Margot too has a gift, for visceral empathy.) But before Winter is ready, disaster looms. Scenes drag on as characters ruminate over various courses of action. Plans are too often interrupted by happenstance, which, though realistic, is not all that interesting. And the novel subverts its own suspense by revealing crucial facts way too early.
Despite a few rookie missteps, the novel's originality makes it worth reading.Pub Date: Jan. 21, 2020
ISBN: 978-1-250-29845-4
Page Count: 416
Publisher: Forge
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
