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EVERY FRIDAY NIGHT

MY YEAR OF DATING MISADVENTURES

Tart and quick. “Finding Prince Charming can mean kissing a lot of toads—not to mention some wicked cold sores.” It can also...

“Dating in the city takes its toll,” writes investment banker and first-time writer McLaughlin in this yearlong chronicle of Friday night dates.

After the end of a long relationship, an uncle points McLaughlin toward getting a life: “Girl, you’re young, bright, and beautiful. You need to get over that trifling Negro and get on with it.” Which isn’t to say that the blind date he sets her up with is the answer: “the details emerged about his failed attempt to kill his father, wiretapping his ex-wife’s phone, and hiring a private investigator to track her down.” End of date number one; there will be a year’s worth more, including Mr. Right Now (“I have attachment issues,” he says) and Mr. Identity Merger (“The only surrendering I’m doing is to God and French fries,” McLaughlin says). She doesn’t let appearances get in the way—“The jeans hanging off his ass and Timberlands made him look like he was a week away from an orange jumpsuit”—but, then again, sometimes they do: “Did he think that B.O. was some sort of aphrodisiac?” She learns to “read the clues we ignore at our peril,” like the guy wiping his mouth on the restaurant tablecloth. Sometimes the clues bite her on the ankle: Says one date, “I could see myself marrying you if you got a boob job and dropped another twenty pounds.” Fortunately, the author has good advice, both from her uncle (“He’ll show up when you stop bullshittin’ yourself and go situate yourself”) and her grandmother (“Everybody’s got to roll around the floor one time real good”). Fortunately, also, she has a handful of good friends.

Tart and quick. “Finding Prince Charming can mean kissing a lot of toads—not to mention some wicked cold sores.” It can also mean a lot of good stories.

Pub Date: July 1, 2003

ISBN: 0-385-50380-6

Page Count: 240

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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