Overly sentimental fare that will probably find some readers to cherish it as a spiritual balm.
An inspirational message drives this story about an elderly widow, a magic rock and some transformed lives.
Since the death of her beloved husband Joe, Velma True’s hold on life has become precarious. She won’t even venture to her mailbox since finding his death certificate there. So the visit of a mysterious stranger to her little house outside Echo, a small town in the Florida panhandle, comes just in time. The nameless ancient who can “brush his fingers through the stars” gives her a small rock that changes colors, emits heat and light and offers a limited form of time travel. Briefly, Velma is back with Joe in the first year of their marriage, thinking: “This moment is forever and always.” Though the rock is benevolent, possession is not risk-free. There are bad actors out there, fallen angels who will try to steal it. Jordan’s previous novel, The Messenger of Magnolia Street (2006), featured the same good vs. evil conflict, but this follow-up is neither as well-written nor as persuasive. Velma must confront her irrational guilt over the four miscarriages following the difficult birth of her only son, Rudy, who has his own problems to work through. He’s a bed-hopping ladies’ man, movie-star handsome, unambitious, singing cheerfully as he delivers the mail on his rural route. He has yet to fulfill his potential and give Velma more than a careless love. Jordan packages a folksy small-town world of timeless rhythms, then adds a guitar-toting teenage runaway on a mission that will take her to Velma’s house and two lonely retirees who take off for Africa. Lurking in the shadows are evil, shapeless things, more laughable than fearsome, the weakest link in Jordan’s chain. Not to worry: Velma and Rudy will get the message (“No regrets”) and become new people, at peace with themselves.
Overly sentimental fare that will probably find some readers to cherish it as a spiritual balm.Pub Date: May 19, 2009
ISBN: 978-0-30744-670-1
Page Count: 352
Publisher: WaterBrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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