A 17th-century German witch hunt—really.
Katharina Kepler is an old woman when she is accused, by the wife of the town’s third-rate glazier, of being a witch. She laughs at the accusation. She has three grown children and a cow named Chamomile. She has a life to live. The accusation, unfortunately, seems to stick, with townspeople emerging, as it were, from the woodwork: A young girl once felt a pain in her arm as Katharina walked by; the schoolmaster once felt a pain in his leg. What one character calls “the destructive power of rumor” gathers momentum—gradually, and then all at once. Galchen’s latest book, which is by turns witty, sly, moving, and sharp, is a marvel to behold. Set in the early 1600s and based on real events—Katharina Kepler was Johannes Kepler’s mother, who really was tried as a witch—the novel also speaks to our own time in its hints at the apparent malleability of truth. “If only I had understood earlier what was really true,” someone says. “It can be so difficult to tell, the way people talk.” Galchen’s story will, by necessity, remind many readers of Arthur Miller’s The Crucible, but by focusing her narrative on an old woman rather than a cast of attractive young girls, she’s made her mission a far sneakier one. Then, too, Galchen’s prose can sparkle and sting with wit. Katharina’s neighbor thinks, “In order to avoid turning people into monsters by suspecting them of being monsters, I do my best to keep myself mostly to myself.” There is so much in this novel to consider—the degree to which we make monsters of one another, the way that old age can make of femininity an apparently terrifying, otherworldly thing—but it is also, at every step along the way, an entirely delicious book.
Dazzling in its humor, intelligence, and the richness of its created world.Pub Date: June 8, 2021
ISBN: 978-0-374-28046-8
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
Categories: LITERARY FICTION | HISTORICAL FICTION
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PERSPECTIVES
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
A fictional account of the agony and ecstasy of making a movie, from someone who’d know.
For his sprightly debut novel, actor/writer/national treasure Hanks—author of the story collection Uncommon Type, 2017—imagines the making of Knightshade: The Lathe of Firefall, a mashup of Marvel-esque superhero fare, war story, and artsy melodrama. The movie’s concept seems like an unworkable, even bad idea, which is part of the point—Hanks stresses the notion that successful movies aren’t just a matter of story but the people who make them. So he’s assembled an engrossing cast of characters: Bob Falls, the World War II vet who served as a flamethrower in the Pacific theater and became a PTSD–struck biker; Robby Andersen, the nephew who turned him into alternative-comix antihero Firefall; Bill Johnson, the well-decorated Spielberg-ian director who acquires the Firefall property and writes the script; and the small army of actors, assistants, and technicians charged with shooting the film in the Northern California town of Lone Butte—on time, lest morale collapse and the budget inflate. Hanks ably depicts how easily things derail. The male lead’s ego wrecks the shooting schedule. A stray social media post complicates security. On-set flirtations threaten a marriage. But the novel reflects the sunny stick-to-it-iveness of many of Hanks’ roles, and his central thesis is that every movie’s true hero is anybody who reduces friction. To that end, his most enchanting and best-drawn characters are the director’s assistant, Al Mac-Teer (full name Allicia), and Ynez Gonzalez-Cruz, a ride-share driver with no movie experience but a knack for problem-solving. “Most of the film business is done by meeting folks,” one character says, and Hanks suggests that meeting the right people—and being kind to them—is half the battle of successful moviemaking. Overly romantic? Consider the source. Regardless, it’s a well-turned tale of a Hollywood (maybe) success. (Sikoryak illustrates some comic-book pages related to the Firefall backstory and film.)
A loose-limbed, bighearted Hollywood yarn.Pub Date: May 9, 2023
ISBN: 9780525655596
Page Count: 448
Publisher: Knopf
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
Categories: GENERAL FICTION | LITERARY FICTION
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