by R.J. Gannaway ‧ RELEASE DATE: Feb. 13, 2007
Conservative Christians interested in the Bible and numbers will find this a reassuring introduction; others would do better...
A Christian take on numerology that attempts to demonstrate that God is the sole author of the Bible.
Gannaway explores the significance of numbers in the Old and New Testaments, highlighting their explicit and implicit meanings and bringing to light the metaphorical mathematics strung together across centuries and languages. He does a thorough, admirable job of taking the reader through the single digits, revealing the meaning behind each one and demonstrating how they interact with each other both mathematically and symbolically. He draws out themes of unity, the nature of the Trinity, the end times and humanity’s striving against carnal desires to deepen the reader’s understanding of the Bible. Gannaway is quick to distance his practice from numerology, citing its relationship to witchcraft, while mentioning the long-standing (and apparently not numerological) practices of gematria and isopsephy. This facile distinction is in service of his stated goal: proving God is the sole author of the Bible based, apparently, on the complexity of the book’s math. Gannaway ignores the long history of the study of numbers in his effort to prove that only God could come up with such dazzling and complicated logic as the number one signifying extraordinary things or the number eight symbolizing perfection—conclusions that appear in most numerology systems. The book contains six appendices, including an impressive concordance of where each number appears in the Bible, a cursory glance at the apocrypha and a list of all 613 commandments in the Old Testament. However, his thesis—reiterated didactically at the end of each chapter—falls short of his aims. Gannaway, who teaches classes on biblical symbolism, has an admirable grasp of numerology and a readable, familiar but professional voice. He knows what he’s talking about, even if his book is less academically rigorous than a book of this nature should be.
Conservative Christians interested in the Bible and numbers will find this a reassuring introduction; others would do better with a book more open to non-Christian perspectives.Pub Date: Feb. 13, 2007
ISBN: 978-0595411504
Page Count: 261
Publisher: iUniverse
Review Posted Online: Aug. 17, 2010
Review Program: Kirkus Indie
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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