An imaginative series debut with a spooky plot, chilling details, and a wholesome family.
A family relocating to northern New England finds a nightmare within their perfect new house in Halbert’s supernatural thriller.
After a careful search, the Keane family, formerly of Boston, have found the ideal New England property to relocate to. With a mixture of anticipation and reservation, married couple Ian and Lyana move to bucolic Littleton, New Hampshire, with their children—Ariel, who’s 15, and Zach, who’s 12 and on the autism spectrum. Hoping to slow their pace of life down and better connect with each other, the family becomes enchanted with an old English Tudor-style manor on Farr Hill. The house, “hugged by trees,” comes complete with a hidden driveway, an imposing rustic appearance, expansive gardens, and an architecturally “unique blend of masonry and woodwork.” The house was built in 1933 by a man who mysteriously disappeared 40 years later. The owner’s nephew, Marshall, eventually assumed control of the property and has remained as a groundskeeper for decades while assorted families moved in—and then hurriedly moved back out, claiming the house was haunted. As the town gossip mill churns, the rumors begin to seem real: Lyana hears whispers in the halls, the kids discover hidden rooms and doorways with cryptic symbols on the grounds, the image of a little girl appears in the pantry, the walls and floors begin to shift, and a series of horrifying, mind-bending dreams make Ian and Lyana begin to question their sanity. Marshall’s cabin, located on the manor grounds, offers more frights than answers, but the family stands together as the mystery deepens and their dream of a fresh start seems ever more elusive. Ian leans on his profession to understand the situation confronting his family. (He’s a professor of ancient history who studies ancient tribal communities and their role in creating the towns and villages that thrive in contemporary society.) He uses his knowledge to his advantage as the novel plays out, until a crushing medical malady stuns the Keane family.
In this inaugural volume of the Goodpasture Chronicles, Halbert puts a new spin on classic horror and suspense tropes of the “creepy old house with a malevolent entity embedded in its walls” variety. Though the story has moments of suspenseful tension, the narrative stumbles somewhat and loses momentum once Lyana’s tragedy is revealed and a rather implausible development results from it. Nevertheless, the author’s authentic, believable characters provide a sturdy framework for the drama taking place inside (and outside) the manor, and the short chapters keep things moving along at a brisk pace. Plenty of character backstory adds depth to the tale. Some of the most riveting scenes involve the adventurous children as they wander the property grounds discovering new areas of the “spooky woods,” which are chillingly depicted but never fully explored. Still, the author successfully and cleverly re-creates and refreshes the haunted house yarn with a fresh sense of dark wonder and mystery, adding plenty of eerie nuances that are creepy but ultimately harmless and devoid of anything that’s graphically terrorizing, which will appeal to adult and YA reading audiences alike. The concluding scene will have thriller fans primed for the next installment.
An imaginative series debut with a spooky plot, chilling details, and a wholesome family.Pub Date: May 7, 2024
ISBN: 9781963366051
Page Count: 282
Publisher: Eald Talu House
Review Posted Online: March 28, 2024
Review Program: Kirkus Indie
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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