An imaginative series debut with a spooky plot, chilling details, and a wholesome family.
A family relocating to northern New England finds a nightmare within their perfect new house in Halbert’s supernatural thriller.
After a careful search, the Keane family, formerly of Boston, have found the ideal New England property to relocate to. With a mixture of anticipation and reservation, married couple Ian and Lyana move to bucolic Littleton, New Hampshire, with their children—Ariel, who’s 15, and Zach, who’s 12 and on the autism spectrum. Hoping to slow their pace of life down and better connect with each other, the family becomes enchanted with an old English Tudor-style manor on Farr Hill. The house, “hugged by trees,” comes complete with a hidden driveway, an imposing rustic appearance, expansive gardens, and an architecturally “unique blend of masonry and woodwork.” The house was built in 1933 by a man who mysteriously disappeared 40 years later. The owner’s nephew, Marshall, eventually assumed control of the property and has remained as a groundskeeper for decades while assorted families moved in—and then hurriedly moved back out, claiming the house was haunted. As the town gossip mill churns, the rumors begin to seem real: Lyana hears whispers in the halls, the kids discover hidden rooms and doorways with cryptic symbols on the grounds, the image of a little girl appears in the pantry, the walls and floors begin to shift, and a series of horrifying, mind-bending dreams make Ian and Lyana begin to question their sanity. Marshall’s cabin, located on the manor grounds, offers more frights than answers, but the family stands together as the mystery deepens and their dream of a fresh start seems ever more elusive. Ian leans on his profession to understand the situation confronting his family. (He’s a professor of ancient history who studies ancient tribal communities and their role in creating the towns and villages that thrive in contemporary society.) He uses his knowledge to his advantage as the novel plays out, until a crushing medical malady stuns the Keane family.
In this inaugural volume of the Goodpasture Chronicles, Halbert puts a new spin on classic horror and suspense tropes of the “creepy old house with a malevolent entity embedded in its walls” variety. Though the story has moments of suspenseful tension, the narrative stumbles somewhat and loses momentum once Lyana’s tragedy is revealed and a rather implausible development results from it. Nevertheless, the author’s authentic, believable characters provide a sturdy framework for the drama taking place inside (and outside) the manor, and the short chapters keep things moving along at a brisk pace. Plenty of character backstory adds depth to the tale. Some of the most riveting scenes involve the adventurous children as they wander the property grounds discovering new areas of the “spooky woods,” which are chillingly depicted but never fully explored. Still, the author successfully and cleverly re-creates and refreshes the haunted house yarn with a fresh sense of dark wonder and mystery, adding plenty of eerie nuances that are creepy but ultimately harmless and devoid of anything that’s graphically terrorizing, which will appeal to adult and YA reading audiences alike. The concluding scene will have thriller fans primed for the next installment.
An imaginative series debut with a spooky plot, chilling details, and a wholesome family.Pub Date: May 7, 2024
ISBN: 9781963366051
Page Count: 282
Publisher: Eald Talu House
Review Posted Online: March 28, 2024
Review Program: Kirkus Indie
BOOK REVIEW
SEEN & HEARD
Filled with action, violence, and more twists than a bag of pretzels.
Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.
Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.
Filled with action, violence, and more twists than a bag of pretzels.Pub Date: April 14, 2026
ISBN: 9781538758021
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
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