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EXPOSURE

The inexplicable meltdown of a nuclear power plant in Arizona, which kills 15,000 and exposes 400,000 more to potentially lethal doses of radiation, gets this taut damsel-in-distress entertainment from Pineiro (Retribution, 1995) off to a bang-up start. Four months after the reactor disaster, Pamela Sasser (a Ph.D. candidate in computer engineering) discovers flaws in the design of the Perseus microprocessor used in the control systems at the plant and shares the knowledge with her mentor, Professor Eugene LaBlanche. He informs Microtel, the chip's manufacturer, that its prize product has a bug. Determined to avert disclosures that could wipe out the multinational electronics company he founded, Preston Sinclaire begins masterminding a bloody cover-up. An influential member of the military/industrial complex, the venal CEO calls on the Defense Intelligence Agency for help. It arrives in the person of Harrison Beckett, a contract hit man who quickly dispatches LaBlanche and takes out after Pam (whose backup diskette is the last bit of evidence that could incriminate Sinclaire). Unbeknownst to the principals, FBI agent Esther Cruz (who's pursuing leads on another matter) becomes a player. Her presence upsets several applecarts, and Harrison (an assassin with a heart of gold) becomes privy to Pam's knowledge of the Perseus defects. Now a marked man himself, he joins forces with his erstwhile prey in a meandering but eventful flight. The two escape assaults by state troopers, as well as Sinclaire's vicious goons, and eventually reach the nation's capital, where Harrison is able to make contact with Cruz. The streetwise G-woman enlists the aid of her superiors in prosecuting Sinclaire. In a last-gasp effort to avoid ruin, however, Sinclaire abducts Pam, and Harrison must run one final and fearsome gauntlet before he can make a new life with his true love. A fast-paced thriller that cuts to the chase often and effectively enough to hustle most readers past the less plausible features of its road-race plot.

Pub Date: Sept. 1, 1996

ISBN: 0-312-85982-1

Page Count: 352

Publisher: Forge

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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