A contrarian tale that revels in outmoded notions of masculinity and professional success.



In this debut novel, a New York adman grows tired of the fast life and dreams of escape.

Billy Boyd Salinger is a junior account executive at a Manhattan advertising agency. In the book’s opening pages, he receives a promotion to manage a new account with the makers of E-Z Lax, a popular laxative. Billy experiences another life change when he moves into his friend Addison’s apartment, a penthouse owned by his pal’s father. Addison likes drugs, booze, and sex, and so does Billy. Addison is a hard partier, a daddy’s boy, a casual racist, and a lech. Billy’s no better. He’s superficial and brand- and status-obsessed. When he hits on a 16-year-old, he defends himself by observing that the girl “looks buxom enough to be twenty-six.” While listening to a female co-worker, he imagines sticking his “tongue down her throat.” But the colleague, who looks like a model and is coincidentally named Kate Moss, asks him out. Later, when Billy sleeps with his friend Lorraine, a former model, the scene ends with his observation: “I squirt my load and am ravenous.” These episodes are pornographic and violent, with acts done “savagely.” Wilson’s writing is at its best when Billy assesses an expensive object, like Addison’s TV, a “Sony 70-inch Qualia 006 High Definition Television,” or one of the penthouse’s beds, a “hand-carved baroque sleigh bed.” These details do double duty, filling the novel with specificity and revealing Billy’s obsession with material goods. Along the way, the author tries to present Billy as a good guy. But the tale delights in the protagonist’s sexual escapades and eagerly celebrates the behavior of chauvinists. Billy never gets his comeuppance. In addition, the sloppy prose does the book no favors. It’s full of redundant lists, heaps of digressive information, inconsistencies (“craigslist.com” and “Craig’s list”; “E-Z Lax” and “EZ-LAX”), and the occasional malapropism: “I step off the elevator and am immediately impounded by loud music.”

A contrarian tale that revels in outmoded notions of masculinity and professional success. 

Pub Date: Aug. 17, 2017

ISBN: 978-1-5488-9231-9

Page Count: 374

Publisher: CreateSpace

Review Posted Online: July 9, 2019

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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