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ROXY REID

FIVE WEEKS IN NEW YORK

A single mother’s complicated history begets a somber, searing melodrama.

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In Burgess’ novel, a woman’s checkered past clashes with the relatively quiet, white-collar life she’s currently living.

London-born Roxy Reid is a successful investment banker in the U.S. Her 12-year-old daughter, Taylor, believes Roxy’s conservative ways make her a rather “boring” mother. Roxy’s past life, however, catches up to her just in time for the holiday season. She first runs into Nathan Hancock, whose late father is also Taylor’s father. But Roxy has kept this tidbit from Taylor, along with most specifics about her troubled youth in London. Another recent familiar face is Nicholas Drednaught, a real estate businessman. Back when Roxy knew him, he was a drug dealer who went by Nick Dredd. Her involvement with drugs and violence is certainly something she also wants to shield from Taylor. But that’s not so easy when Dolores DuCharme realizes who Roxy is. Dolores is a department head and the guidance counselor at Dunmore Academy, Taylor’s private school. She’s also Nathan’s mother and the widow of the same man Roxy was sleeping with all those years ago in London. Dolores is all too willing to talk about Roxy’s scandalous history, although there’s much more to the harsh world Roxy once endured. Roxy wants to keep Dolores away from Taylor, but as her friend puts it, Roxy can’t kill Dolores. She does nevertheless have street smarts, physical prowess, and, perhaps, a switchblade at the ready, so she can undoubtedly find some sort of solution.

Though this is a follow-up to Burgess’ earlier book Flawed Perfection (2020), reading both novels is not a requirement. As this story relies heavily on its predecessor, it regularly cites Roxy’s previous life in the U.K. more than a decade ago. Still, none of the backstory slows down the steadily paced narrative, making this short novel a quick read. Roxy is a sublimely complex protagonist who deserves sympathy. Her childhood entailed an abusive mother, and she herself is a loving mother to Taylor, though their relationship is sometimes fractious. At the same time, she tends to push others away, and her actions can be distinctly unsettling. Several supporting characters are equally worrisome, largely due to their unpredictability. While Dolores hardly veils her animosity for Roxy, Nathan and Nick are more ambiguous since their intentions aren’t immediately clear. All three characters, too, represent the bad old days that Roxy has been trying to escape. Throughout, Burgess creates an involving ambiance, frequently detailing the cold weather outside as well as the forthcoming winter holidays. Snow, in particular, is a recurring image. For example, one morning a contemplative Roxy “seated herself on a sofa that faced the tall windows that looked out onto the snow-covered grounds. The fireplace was behind her and warmed her back.” The ending, quite fittingly, leaves a few issues unresolved.

A single mother’s complicated history begets a somber, searing melodrama. (dedication, author bio)

Pub Date: N/A

ISBN: 978-1-64701-275-5

Page Count: 188

Publisher: Page Publishing, Inc.

Review Posted Online: Feb. 17, 2021

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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