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ROXY REID

FIVE WEEKS IN NEW YORK

A single mother’s complicated history begets a somber, searing melodrama.

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In Burgess’ novel, a woman’s checkered past clashes with the relatively quiet, white-collar life she’s currently living.

London-born Roxy Reid is a successful investment banker in the U.S. Her 12-year-old daughter, Taylor, believes Roxy’s conservative ways make her a rather “boring” mother. Roxy’s past life, however, catches up to her just in time for the holiday season. She first runs into Nathan Hancock, whose late father is also Taylor’s father. But Roxy has kept this tidbit from Taylor, along with most specifics about her troubled youth in London. Another recent familiar face is Nicholas Drednaught, a real estate businessman. Back when Roxy knew him, he was a drug dealer who went by Nick Dredd. Her involvement with drugs and violence is certainly something she also wants to shield from Taylor. But that’s not so easy when Dolores DuCharme realizes who Roxy is. Dolores is a department head and the guidance counselor at Dunmore Academy, Taylor’s private school. She’s also Nathan’s mother and the widow of the same man Roxy was sleeping with all those years ago in London. Dolores is all too willing to talk about Roxy’s scandalous history, although there’s much more to the harsh world Roxy once endured. Roxy wants to keep Dolores away from Taylor, but as her friend puts it, Roxy can’t kill Dolores. She does nevertheless have street smarts, physical prowess, and, perhaps, a switchblade at the ready, so she can undoubtedly find some sort of solution.

Though this is a follow-up to Burgess’ earlier book Flawed Perfection (2020), reading both novels is not a requirement. As this story relies heavily on its predecessor, it regularly cites Roxy’s previous life in the U.K. more than a decade ago. Still, none of the backstory slows down the steadily paced narrative, making this short novel a quick read. Roxy is a sublimely complex protagonist who deserves sympathy. Her childhood entailed an abusive mother, and she herself is a loving mother to Taylor, though their relationship is sometimes fractious. At the same time, she tends to push others away, and her actions can be distinctly unsettling. Several supporting characters are equally worrisome, largely due to their unpredictability. While Dolores hardly veils her animosity for Roxy, Nathan and Nick are more ambiguous since their intentions aren’t immediately clear. All three characters, too, represent the bad old days that Roxy has been trying to escape. Throughout, Burgess creates an involving ambiance, frequently detailing the cold weather outside as well as the forthcoming winter holidays. Snow, in particular, is a recurring image. For example, one morning a contemplative Roxy “seated herself on a sofa that faced the tall windows that looked out onto the snow-covered grounds. The fireplace was behind her and warmed her back.” The ending, quite fittingly, leaves a few issues unresolved.

A single mother’s complicated history begets a somber, searing melodrama. (dedication, author bio)

Pub Date: N/A

ISBN: 978-1-64701-275-5

Page Count: 188

Publisher: Page Publishing, Inc.

Review Posted Online: Feb. 17, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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