by R.M. Burgess ‧ RELEASE DATE: N/A
A single mother’s complicated history begets a somber, searing melodrama.
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In Burgess’ novel, a woman’s checkered past clashes with the relatively quiet, white-collar life she’s currently living.
London-born Roxy Reid is a successful investment banker in the U.S. Her 12-year-old daughter, Taylor, believes Roxy’s conservative ways make her a rather “boring” mother. Roxy’s past life, however, catches up to her just in time for the holiday season. She first runs into Nathan Hancock, whose late father is also Taylor’s father. But Roxy has kept this tidbit from Taylor, along with most specifics about her troubled youth in London. Another recent familiar face is Nicholas Drednaught, a real estate businessman. Back when Roxy knew him, he was a drug dealer who went by Nick Dredd. Her involvement with drugs and violence is certainly something she also wants to shield from Taylor. But that’s not so easy when Dolores DuCharme realizes who Roxy is. Dolores is a department head and the guidance counselor at Dunmore Academy, Taylor’s private school. She’s also Nathan’s mother and the widow of the same man Roxy was sleeping with all those years ago in London. Dolores is all too willing to talk about Roxy’s scandalous history, although there’s much more to the harsh world Roxy once endured. Roxy wants to keep Dolores away from Taylor, but as her friend puts it, Roxy can’t kill Dolores. She does nevertheless have street smarts, physical prowess, and, perhaps, a switchblade at the ready, so she can undoubtedly find some sort of solution.
Though this is a follow-up to Burgess’ earlier book Flawed Perfection (2020), reading both novels is not a requirement. As this story relies heavily on its predecessor, it regularly cites Roxy’s previous life in the U.K. more than a decade ago. Still, none of the backstory slows down the steadily paced narrative, making this short novel a quick read. Roxy is a sublimely complex protagonist who deserves sympathy. Her childhood entailed an abusive mother, and she herself is a loving mother to Taylor, though their relationship is sometimes fractious. At the same time, she tends to push others away, and her actions can be distinctly unsettling. Several supporting characters are equally worrisome, largely due to their unpredictability. While Dolores hardly veils her animosity for Roxy, Nathan and Nick are more ambiguous since their intentions aren’t immediately clear. All three characters, too, represent the bad old days that Roxy has been trying to escape. Throughout, Burgess creates an involving ambiance, frequently detailing the cold weather outside as well as the forthcoming winter holidays. Snow, in particular, is a recurring image. For example, one morning a contemplative Roxy “seated herself on a sofa that faced the tall windows that looked out onto the snow-covered grounds. The fireplace was behind her and warmed her back.” The ending, quite fittingly, leaves a few issues unresolved.
A single mother’s complicated history begets a somber, searing melodrama. (dedication, author bio)Pub Date: N/A
ISBN: 978-1-64701-275-5
Page Count: 188
Publisher: Page Publishing, Inc.
Review Posted Online: Feb. 17, 2021
Review Program: Kirkus Indie
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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BOOK TO SCREEN
by Chuck Wendig ‧ RELEASE DATE: April 29, 2025
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.
Four kids who swore an oath of friendship reunite as adults to face their fears.
The foundation of this novel is a consciously employed trope about messed-up kids, from the Losers Club in Stephen King’s It (1986) to more recent groupings of youth gone wrong in everything from Edgar Cantero’s Meddling Kids (2017) to Gerard Way’s The Umbrella Academy comic-book series. Here, it’s five kids from Bucks County, Pennsylvania, circa 1998: charismatic Matty, cynical Nick, carefree Hamish, cool-ahead-of-her-time Lore-née-Lauren, and nervous nail-biter Owen. Each burdened with terrible families, they create a pact, the Covenant: “It’s how they’re there for each other. How they’ll do anything for each other. Get revenge. Take a beating. Do what needs doing.” But when they discover the titular staircase during a camping trip and their impulsive leader Matty disappears while climbing it, the band breaks up. Decades later, Lore is a successful game designer, having abandoned Owen to his anxieties, while Hamish has become a family man and Nick is dying of pancreatic cancer. When he invokes their pact, the surviving members reassemble at a similar anomaly in the woods to make sense of it all. Climbing another staircase into a liminal space marked with signs saying “This place hates you,” among other things, our not-so-merry band suddenly finds themselves trapped in a haunted house. There’s plenty of catnip for horror fans as these former kids work their way through shifting set pieces—rooms where children were tortured, murdered, and worse, including some tailored specifically to them—but the adversary ultimately leaves something to be desired. The book isn’t as overtly gothic as Black River Orchard (2023) or as propulsive as his techno-thrillers, but Wendig has interesting things to say about friendship and childhood trauma and its reverberations. Lore gets it, near the end: “We’re all really fucked up and just trying to get through life, and it’s better when we do it together instead of alone.”
A flawed but visceral take on shared trauma and the fragility of friendship when we aren’t just kids anymore.Pub Date: April 29, 2025
ISBN: 9780593156568
Page Count: 400
Publisher: Del Rey
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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