Gittins (Secret Shelter, 2015, etc.) takes forever to navigate past the overlong flashbacks that dot the first half of this...

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INVESTIGATING MR WAKEFIELD

Gittins’ fourth novel updates the premise of Nathaniel Hawthorne’s memorably enigmatic little fable “Wakefield”—a man abandons his wife on a whim, moves one street away, then returns to her 20 years later on another whim—for the surveillance age.

Jack Connolly has always assumed he can trust Tia, the event planner who’s his frequent partner in business and bed. But maybe that’s just because he’s never thought about it. After all, Jack himself isn’t entirely trustworthy. His star as a noted photojournalist fell with the disclosure that he’d faked an iconic picture. So when he spots Tia in a briefly suggestive pose with Joseph, the co-owner of her agency, he can’t help wondering if she’s got something going. A nasty railroad accident outside London soon gives him his chance. He packs his bags, moves into a hotel, and waits to see how his ladylove reacts to her increasingly sharp suspicion that he was one of the casualties aboard the train. The refinement Jack adds to Hawthorne’s model is a battery of state-of-the-art surveillance devices that allow him to track Tia’s every move and, as long as she stays in their flat, catch well-nigh every facial expression. What he sees tells him that she’s clearly frantic, then genuinely grieved, and that she’s got secrets he’s never suspected. But nothing he sees persuades him to return. Like Hawthorne’s feckless hero, he keeps thinking from moment to moment that he’ll go back. But something keeps coming up to prevent him, mostly in the guise of faces from his past—his ex-lover Natsuo, heavy-handed dilettante Toby Vine, a light-fingered pawnbroker named Ben, and of course Dom, the insinuating surveillance expert—who suddenly turn up on his radar in unsettling new roles.

Gittins (Secret Shelter, 2015, etc.) takes forever to navigate past the overlong flashbacks that dot the first half of this tale. Readers who survive this extended setup, however, will find themselves irresistibly drawn into Jack’s paranoid world of self-induced claustrophobia.

Pub Date: Dec. 5, 2016

ISBN: 978-1-78461-239-9

Page Count: 408

Publisher: Dufour

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...

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LADY IN THE LAKE

Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.

In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.

Pub Date: July 23, 2019

ISBN: 978-0-06-239001-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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