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IT'S GOOD TO BE GRONK

It may be good to be Gronk; it’s not so great to read Gronk.

A prince of football tells all about growing up Gronk.

From his days as a young Gronkling through the victory in Super Bowl XLIX, New England Patriots tight end Gronkowski—with the assistance of sports agent Rosenhaus (co-author, with Terrell Owens: T.O., 2011, etc.)—apostrophizes the physical life. We are introduced to his family: four rowdy brothers, a rowdy father, and a seldom-mentioned mom. Simple sentences in a simple chronology (“That first game to start the 2007 season was against Brigham Young University, on the road…I had to go 100 percent on every single play…”) detail high school, college, and pro games, mostly victories, and the parts Gronkowski played in each. The prose does not grow with the boy, and apparently the boy doesn’t grow very much either. For example, the very young Gronkowski says of his brothers, “It was so much fun to me to tackle them when they weren’t looking,” and a more adult Gronk reports that “for no reason other than to get wild, I kicked my brother Gord in the groin and then body-slammed him.” Similarly, the descriptions of the offseason and postgame partying are interchangeable. Games are won; Gronk parties. Games are lost; Gronk parties. Injuries (serious ones) are sustained; Gronk parties. A genuine superstar and legendary free spirit, Gronkowski epitomizes one stereotype of an athlete: he trains hard, plays hard, and parties hard. Nothing else matters, and little else seems to occupy his attention. Anyone hoping to detect a sly grin or ironic wink will be disappointed. Size, strength, speed, intensity, and revelry are the only concerns in this realm of sometimes-vulgar physicality. One impressive note, however, is the author’s claim that he hasn’t spent “one dime of my signing bonus or NFL contract money.” Other pro athletes could at least learn from that.

It may be good to be Gronk; it’s not so great to read Gronk.

Pub Date: July 14, 2015

ISBN: 978-1-4767-5480-2

Page Count: 224

Publisher: Jeter Publishing/Gallery Books

Review Posted Online: July 10, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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