KIRKUS REVIEW
In an alternative 19th-century England, monsters both thrill and protect their towns.
In Stoker-on-Avon, the townsfolk have been feeling a bit dismayed; their monster, a horned, winged creature named Rayburn, hasn’t attacked in nearly seven years, and his lack of ambition serves as a constant embarrassment to his village. A disgraced doctor is asked to help “fix” the melancholic monster, and once he accepts, he discovers that a precocious street urchin has stowed along for the ride. The pair and the bummed-out beast set out to visit one of Rayburn’s old creature friends, a savage-looking beast with a heart of gold popularly known as Tentaculor, but affectionately to his friends as Noodles. This leaves Stoker-on-Avon vulnerable and without a monster. Rayburn’s absence is intuited by an abominable being known as the Murk, a mixture of mud, hair, and pure, unrefined evil. Faced with the imminent destruction of his town, Rayburn must overcome his dolorous disposition and rediscover his true terrifying powers. More at-home than anomalous, Harrell’s world is easily accessible, a place where monsters seamlessly blend into 19th-century England. Touching deftly upon well-trod themes and with a deliciously cinematic sense of both framing and pacing, this indie charmer is both quirky and novel; expect it to appeal to fans of Jeff Smith’s Bone series.
Just plain monstrous fun. (Graphic fantasy. 9-12)
