A bright, bold picture-book biography that challenges conceptions of masculinity and strength.
The first openly gay strongman overhauls stereotypes.
Whether opening “the TIGHTEST pickle jars” or carrying many packed grocery bags into the house all at once, Rob Kearney is a strong kid. As he grows up, he finds his calling in strength sports. A teacher introduces 17-year-old Rob to the Strongman competition, kindling his dream of becoming a weightlifting champion. First, he trains to lift 150 pounds, then 200, then 300, then 400—the equivalent of “more than 800 STUFFED RAINBOW UNICORNS.” Despite all of his training, Rob flounders at his first big competition since he doesn’t feel quite right in his “boring” and “bleak” weightlifting gear. That changes when Rob falls in love with Joey, who pushes Rob to wear whatever “bright, bold colors” he wants. But can Rob win the title of “strongest person in North America?” Real-life strongman Kearney and LGBTQ+ parenting expert Rosswood team up to create this positive, affirming picture-book memoir. Although one scene depicts an instance of dress code discrimination, the story maintains a sunny tone. Certain words are bolded throughout the text for emphasis, particularly those related to Rob’s impressive feats. Rob and Joey are both White and have mohawks, but Chanani’s colorful digital illustrations depict ethnically diverse spectators. Backmatter delves more deeply into strongman events and—staying within the gender binary—mentions the existence of “a separate strongwoman division.” (This book was reviewed digitally.)
A bright, bold picture-book biography that challenges conceptions of masculinity and strength. (author's note, bibliography) (Picture-book biography. 4-8)Pub Date: May 10, 2022
ISBN: 978-0-316-29290-0
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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