Storytelling and history, beautifully stitched together.

STITCH BY STITCH

CLEVE JONES AND THE AIDS MEMORIAL QUILT

Learn the history of the NAMES Project AIDS Memorial Quilt stitch by stitch.

Cleve Jones, San Franciscan activist and mentee of Harvey Milk, is the central figure in an informative picture book that captures the history and tone of the era in which the AIDS Quilt grew. While in San Francisco, Cleve witnessed a mysterious illness that was sweeping through the gay male community, killing the majority of victims. On Nov. 27, 1985, Jones helped organize a march to remember recently assassinated politicians Milk and Mayor George Moscone. Cleve and a co-organizer handed out cardboard and markers, asking participants to write down names of friends who’d died of AIDS. The sight of these names taped to the walls of San Francisco’s Federal Building became the impetus for the quilt. Its story is beautifully captured in the book’s smooth pacing and brief paragraphs. Readers will follow its journey from that march as it becomes both a monument to mourning and a means of changing the stigma surrounding HIV and AIDS. The weighty backmatter, which includes discussion points, a glossary, timeline, biographies, and brief bibliography, will help educators and caregivers guide further learning. The racial diversity on display throughout the book is admirable; it’s a shame that diversity did not extend to body shapes as well. This quibble aside, the book is pretty darn impressive. (This book was reviewed digitally.)

Storytelling and history, beautifully stitched together. (Informational picture book. 9-12)

Pub Date: Oct. 12, 2021

ISBN: 978-1-4338-3739-5

Page Count: 40

Publisher: Magination/American Psychological Association

Review Posted Online: Aug. 18, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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Like oil itself, this is a book that needs to be handled with special care.

OIL

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for...

TWO MEN AND A CAR

FRANKLIN ROOSEVELT, AL CAPONE, AND A CADILLAC V-8

A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.

Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.

The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)

Pub Date: March 12, 2019

ISBN: 978-0-88448-620-6

Page Count: 64

Publisher: Tilbury House

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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