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LOVE IS A MIX TAPE

LIFE AND LOSS, ONE SONG AT A TIME

Witty and wise; a true candidate for the All-Time Desert Island Top 5 Books About Pop Music.

A rock critic tells about the love of life via a series of 15 mix tapes full to bursting with songs of passion, regret and bad rhyme schemes.

Like any true music obsessive, Sheffield—a contributing editor at Rolling Stone, where he writes the “Pop Life” column—has a vast back catalog of mix tapes, either self-made or given as gifts. In this touching and frequently hilarious book, Sheffield structures each of the 15 chapters around a different mix tape, most of which relate in some way to his wife, Renée, who died of a sudden pulmonary embolism in 1997, after they'd been married for five years. Even though Sheffield was a geeky Irish Catholic music obsessive from Boston and Renée was a “real cool hell-raising Appalachian punk-rock girl” who was raised Southern Baptist, “rooted for the Atlanta Braves and sewed her own silver vinyl pants,” when the two met in Charlottesville, they clicked. Renée would take them driving for hours on southern roads just so they could sing along to songs on the radio, while Sheffield was the kind of guy who made mix tapes to do the dishes to. While eulogizing the punk awesomeness of Renée, Sheffield also throws in a surprisingly heartfelt eulogy for the unsung ’90s, “an open, free time of possibilities, changes we thought were permanent,” before radio lost its last vestige of non-homogenization, and Pavement was the greatest band of all time. This is a lightly-handled, skillful and sincere celebration of pop, of love, sad songs, bad songs and the long, nearly unbearable ache of being a young widower.

Witty and wise; a true candidate for the All-Time Desert Island Top 5 Books About Pop Music.

Pub Date: Jan. 2, 2007

ISBN: 1-4000-8302-8

Page Count: 240

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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