Those who loved the author’s debut should enjoy this follow-up.
Prequel to Rolling Stone contributing editor Sheffield’s Love Is a Mix Tape (2007).
There’s a truism in rock that a breakthrough hit the first time through will often lead to a sophomore slump. The author’s second attempt to use favorite songs to reflect on and illuminate his life isn’t really a disappointment, though it necessarily lacks the emotional power of Mix Tape. Where that memoir of the 1990s had a natural narrative arc, from the birth of love to the heartbreaking death of the author’s young wife, this successor, which focuses on the ’80s—the musical culture and the author’s formative years—is more of a hodge-podge collection of essays straining for cohesion. Proceeding chronologically, with 25 chapters titled after songs released during the ’80s, Sheffield pursues a general theme of how girls and boys talk about, think about and feel about music differently. There are incisive chapters on Hall & Oates, Paul McCartney and the Replacements (“they made good imaginary friends”), along with revelations about how the author was an altar boy until 16, never had a girlfriend until 19 and had a traumatic experience clipping his grandfather’s toenails. Though the reader learns in passing about the author’s remarriage, much of the talk about girls concerns his younger sisters, “the coolest people I knew.” Where Sheffield’s debut felt cathartic, some of this book seems comparatively glib—for example, “There are times in a man’s life that can only be described as ‘times in a man’s life.’ The first time he experiences A Flock of Seagulls is one of them”; “MTV was, roughly speaking, the greatest thing ever.”
Those who loved the author’s debut should enjoy this follow-up.Pub Date: July 15, 2010
ISBN: 978-0-525-95156-8
Page Count: 288
Publisher: Dutton
Review Posted Online: Feb. 16, 2011
Kirkus Reviews Issue: May 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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