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ELECTRIC EDEN

UNEARTHING BRITAIN'S VISIONARY MUSIC

A dense, brilliant charting of England’s folk-music tradition and its multiplicity of modern mutations.

The Wire editor at large Young brings considerable acumen to bear in this ambitious critical history. Beginning with cult siren Vashti Bunyan’s quixotic 1971 journey across the countryside in a horse-drawn wagon, the writer explores a “silver chain” of impulses—pastoral, utopian, pagan—running through the indigenous music of the British Isles. Beginning in the late 19th century at the doorstep of writer-artist William Morris, the author probes the pioneering work of such song collectors as Ralph Vaughan Williams and Cecil Sharp. Moving into the age of recorded music, he celebrates key figures in the 1950s folk boom like A.L. Lloyd and Ewan MacColl. The meat of the narrative takes in the ’60s, when England’s folk clubs spawned seminal performers like guitarist Davy Graham, vocalist Shirley Collins and family harmony group The Watersons, who in turn inspired the great folk-rock acts of the era. Young focuses on the major names—Fairport Convention, Pentangle, the Incredible String Band, Nick Drake, John Martyn, Steeleye Span—but he doesn’t ignore dozens of lesser-known performers in tune with the Arcadian muse. After a look at the waning of folk-rock, which coincided with the late-’70s ascent of Thatcherism, Young surveys the works of such latter-day inheritors as Kate Bush, David Sylvian, Julian Cope and Mark Hollis’ Talk Talk. It’s impossible to completely convey the sweep and detail of the author’s work, which reflects a deep knowledge of congruent works in English literature, film and visual arts. He logs the connections between the folk boom and parallel developments in Early Music and world music, and doesn’t ignore its tangential connections with genres like heavy metal. He ties the movement to the English landscape itself in a compelling chapter on festivals that culminates in Glastonbury’s 1971 debut. While the book is massive, it never bogs down in pedantry, and Young’s lyrical, good-humored, bracingly intelligent narrative voice keeps the story moving at a brisk pace. A breathtakingly accomplished, entertaining and illuminating epic.

 

Pub Date: May 17, 2011

ISBN: 978-0-86547-856-5

Page Count: 672

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: March 2, 2011

Kirkus Reviews Issue: March 1, 2011

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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