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ELEVEN ELEMENTS

BOOK ONE: HEALING WATERS

Plans for a better Earth packaged as a time-travel SF thriller (or maybe the other way around).

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Time-traveling agents from the 26th century materialize in 21st-century Florida on a mission to ensure the survival of a manifesto that will save the Earth.

In Joshi’s SF debut, a time-traveling squad from 2532 voyages back five centuries to central Florida on an urgent task. But their rematerialization goes awry, leaving some agents gruesomely disintegrated. The hasty mop-up alerts local authorities that something uncanny is afoot. Veteran time-travel mission commander Maxilon Renner suffers partial amnesia, only belatedly recalling their quarry: Joshua DeWine, aka Jaiswal Diwanji, an Indian American architect who’s also a biological prodigy/mystic/messiah. (He’s “like the human system booting into its most optimal version.”) His unpublished The Manifesto of Eleven Elements is destined to convert greedy humankind into responsible planetary stewards, but a spreading zone of darkness across the years ahead indicates that this crucial manuscript doesn’t survive. The team must ensure that DeWine’s sustainability blueprint circulates despite a possible traitor among Renner’s ranks, the interference of rival time travelers, and the likely involvement of rogue sentient AIs called “uBots.” The narrative includes much sermonizing about the violations of Mother Earth (the 2532 folk, hailing from a utopian culture, can barely tolerate 2025). As the plot unfolds, themes from the DeWine manuscript begin to dominate; characters are transformed by the manifesto and become conduits for the message. Appendices outline new forms of government, economy, and so on; the clever author has anticipated that critics will complain that a crackerjack SF thriller has been lost in the shuffle. Variant spellings and disguised versions of real people (including a Donald Trump whose crazy policies might actually be a brilliant bulwark against a sinister Chinese conspiracy) suggest that all of this happens in a parallel reality—one in which fictional news outlets blurb this book. Fans of similar what-ifs (Salman Rushdie’s 1999 novel The Ground Beneath Her Feet comes to mind) will most likely be transfixed, but with several more books promised in the series, it’s an open question as to whether the indoctri-tainment will hold up as well as it does here.

Plans for a better Earth packaged as a time-travel SF thriller (or maybe the other way around).

Pub Date: Jan. 20, 2026

ISBN: 9798993308500

Page Count: 435

Publisher: N/A

Review Posted Online: March 3, 2026

Kirkus Reviews Issue: April 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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