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HOTEL SCARFACE

WHERE COCAINE COWBOYS PARTIED AND PLOTTED TO CONTROL MIAMI

A gripping account of how the Mutiny’s role in Miami’s cocaine business changed not only the city, but America.

A history of the infamous Mutiny at Sailboat Bay hotel and nightclub, the epicenter of Miami’s cocaine boom years.

Miami’s reputation in the 1980s as the stronghold of the cocaine trade was popularized by the film Scarface and TV series Miami Vice, but the real story may eclipse even these portrayals. Through turf wars, assassinations, and arrests, the only certainty in Miami’s drug trade was the hangout for the industry’s key players to show off and flash their dirty money. In his investigation into the Mutiny, Farzad, who hosts Full Disclosure on NPR, captures the excess, decadence, and debauchery of the Mutiny in its heyday. This was where kingpins did business in the hotel suites, crooked lawyers and financiers held office hours at the club, and the entire staff were all in on it. With interviews from many of the people who lived it firsthand, the author showcases a cast of characters composed mostly of Cuban exiles and Colombian immigrants, including Ricardo “Monkey” Morales, Rodolfo “Rudy Redbeard” Rodriguez Gallo, and the legendary Willie Falcon and Sal Magluta. The story of the Mutiny and Miami’s cocaine gold rush is primarily a tale of the American dream, its corruption, and the lengths an immigrant community will go to fulfill a capitalist fantasy of affluence. But for all the glitz and glamour of the Mutiny and the lifestyle of cocaine elite, there was a brutal and nasty flip side. Suspicion, paranoia, and murder were common practice in the trade, a fact epitomized by the symbolic Dadeland Massacre in 1979, which ushered in an unprecedented wave of violence that earned the city the title of murder capital of America. The luster of cocaine and the Mutiny eventually faded, as crack became the preferred form of the drug and federal investigators prosecuted many of the Mutiny’s habitués. But the legend lives on in Farzad’s narrative retelling of the Mutiny, which provides a crucial piece to Miami’s history as the era’s cocaine epicenter.

A gripping account of how the Mutiny’s role in Miami’s cocaine business changed not only the city, but America.

Pub Date: Oct. 17, 2017

ISBN: 978-1-59240-928-0

Page Count: 320

Publisher: New American Library

Review Posted Online: July 2, 2017

Kirkus Reviews Issue: July 15, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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