Much-needed, readably concise political and economic analysis.
The bestselling author presents his case that severe income inequality is the leading factor eroding American democracy.
After serving as the secretary of labor for Bill Clinton, Reich became a professor, frequent commentator on our ailing political system, and author of such bestsellers as Locked in the Cabinet, The Common Good, and Supercapitalism. In his latest, he urges all Americans outside the wealthiest 1% to stop thinking in terms of left vs. right or Democrat vs. Republican. Instead, writes the author, the crucial battle is Oligarchy vs. Democracy. The oligarchs, no matter what they say publicly about promoting democracy within a vigorous capitalistic economy, care almost exclusively about expanding their wealth. The accumulation of such wealth, writes Reich, has destroyed the middle class and offers nothing but misery to minimum wage workers. Throughout the narrative, the author relies heavily on the career of Jamie Dimon to illustrate his theories. Dimon, the CEO and chairman of JPMorgan Chase, presents himself as an enlightened supporter of the Democratic Party as well as a philanthropist actively seeking to reduce income inequality. Digging deeper, Reich argues that Dimon, while perhaps sincere in his own mind, is just another enabler of oligarchy. That enabling occurs not only via his too-big-to-fail bank, but also through Dimon’s leadership of the Business Roundtable, a lobbying organization consisting of the most powerful chief executives in the U.S. By opposing government regulation of industry and pushing for corporate tax cuts, Dimon and his fellow BR board members demonstrate their disdain for any legislation that might increase income equality among all socio-economic levels. As the author incisively shows, while opposing a safety net for the needy, corporate leaders regularly accept socialism for the extremely wealthy through government bailouts, an unfair tax code, and other measures. In various passages, Reich explains how the oligarchs have helped create and then bolster Donald Trump and his supporters.
Much-needed, readably concise political and economic analysis.Pub Date: March 24, 2020
ISBN: 978-0-525-65904-4
Page Count: 224
Publisher: Knopf
Review Posted Online: Feb. 15, 2020
Kirkus Reviews Issue: March 15, 2020
Retired FBI agent Ressler, who again teams up with Schactman (Whoever Fights Monsters, 1992), reveals here that modern American justice is served very, very slowly. When Ressler moved to the Cleveland office in 1974, he was handed an ``old dog,'' FBI slang for a hard case to close. Cleveland's king of X-rated motels, Owen Kilbane, was suspected of violating racketeering laws by moving his prostitutes between states. But Ressler was less interested in the prostitution ring than in Kilbane's lawyer, Robert Steele. Five years earlier, Steele's wife had been shot dead in her suburban home while she slept. Almost immediately, the police had suspected Steele, then a prominent judge who'd been having an affair and was known to have inquired about finding someone to murder his wife. Steele resigned from the bench when details of his adultery emerged, but no witnesses came forward, and because of a celebrated case in which the conviction of a doctor for killing his wife had recently been overturned on appeal, the police hesitated to push for an indictment without iron-clad evidence. Gradually, Ressler gathered information about Kilbane's criminal activities and cultivated informants. With tips from disgruntled prostitutes and a confession from the shooter, who was jailed for another murder, Ressler built a case. After three years of dogged pursuit, Kilbane and his brother Martin, as well as Steele were convicted of arranging Marlene Steele's murder. The problem here is that, while Ressler's detailed account of his pursuit is the sign of a dedicated agent, it's not necessarily the sign of a good writer. This reads like a case file—a litany of details spiced with pinches of bravado but without any real surprises. The moral of this true crime tale is, if there's a will, there's a way, which may be needed encouragement for readers plowing through Justice Is Served.
Pub Date: Sept. 1, 1994
ISBN: 0-312-11295-5
Page Count: 240
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
BOOK REVIEW
BOOK REVIEW
A dry exegesis of country music by the author of Electronic Hearth (1991). Tichi (English/Vanderbilt Univ.) is a novice fan of country music whose background is strongest in American literature and art. Proceeding thematically, she addresses common issues in American culture, including the tension between the individual and society, the lure of home versus the call of the road, and nature as both a nurturing and potentially dangerous force. Lacing together anecdotes, interviews, and analysis of songs, she comes to the conclusion that country music addresses many of the same topics as more ``serious'' art forms, making it ``emphatically [a] national music.'' While her discussions can be interesting, ultimately she offers little new to explain the popularity or quality of country music. The musicians she favors—Emmylou Harris, Rodney Crowell, Laurie Lewis, Nanci Griffith, and Barry and Holly Tashian—all come out of a folk-rock background (in the '70s, they would have been called singer/songwriters), so they naturally tend to take an intellectual, pseudoliterary approach to songwriting and performance. Tichi's musical knowledge is slim, leading to some factual errors, as when she ascribes ``Dueling Banjos'' to Earl Scruggs, though it was in fact recorded by Marshall Brickman and Eric Weissberg. And the comment that ``the ability to read music would be futile for bluegrass...the music simply moves too fast to be read off the page'' would come as a surprise to any classical violinist who's ever tackled Paganini. The book is accompanied by a CD that primarily focuses on new country acts; this material is readily available, and it would be surprising if a reader who was attracted to this book did not already own most of these recordings. A tip of the academic mortarboard towards the ten-gallon-hat crowd that will befuddle members of both groups. (122 b&w photos and 16-page color insert)
Pub Date: Sept. 16, 1994
ISBN: 0-8078-2134-9
Page Count: 350
Publisher: Univ. of North Carolina
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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