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FLY, CHER AMI, FLY!

THE PIGEON WHO SAVED THE LOST BATTALION

During World War I, the U.S. Army relied on a flock of 600 carrier pigeons to send messages back to headquarters from troops in the field, and one, Cher Ami, became famous for saving the “Lost Battalion,” which had been trapped behind enemy lines. Unfortunately, this book doesn’t do the stirring story justice. The text relies on far too many exclamation points (“Dear Friend, go safely. Save us!”), which makes the action seem forced and melodramatic. While MacKenzie’s illustrations use color and line effectively to evoke the chaos of the battle scenes, the soldiers often look stiff. Worst yet, some of the most stirring historic details—that Cher Ami was badly injured on his Lost Battalion flight, but cared for by Army doctors and even given a prosthetic leg—are banished to the afterword. It is regrettable that these fascinating facts were not included in a work presented as a true story. Instead readers see an uninjured pigeon in a Disney-esque ending: “He had saved the soldiers! Sleep, Cher Ami, sleep!” (Picture book. 5-9)

Pub Date: Sept. 1, 2008

ISBN: 978-0-8109-7097-7

Page Count: 32

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

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ELEANOR

"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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