A bracing revenge tale with a strong cast.
A novel revolves around a genius computer geek who desires vengeance for the death of his best friend—a man essentially killed by relentless, greedy lawyers battling to possess his revolutionary work in data mining and analysis.
Gregory Portnoy and Joseph Leege, who have been best friends since childhood, attend MIT in the late 1980s. There, they work together on a highly profitable video game, one of the first split-screen games ever to be played over a modem. With a small group of computer mastermind friends, they start doing work for businesses focusing on internet security and efficiency as well as trading stocks on the internet. But as the best friends rise to the strata of up-and-coming internet innovators, the two have a fundamental difference of opinion. The idealistic and highly sensitive Leege thinks software should be free for all of the world to use, while Portnoy believes owning and selling it to approved companies is the path to take. The two eventually go their separate ways—Portnoy struggling to come to grips with losing the love of his life, a young woman named Chana. When Portnoy discovers that Leege is dead—largely because of incessant legal bullying from a group of attorneys—he sets out to avenge his friend. But Portnoy is not alone: He has someone—or something—helping him who is close to omnipotent. Trial lawyer Buschel’s second novel (after 2016’s By Silent Majority) is a page-turning blend of SF, legal thriller, and financial crime drama. (Think John Grisham meets Isaac Asimov and Bernie Madoff in a bar for drinks.) There’s a lot to love here—the seamless fusion of SF and science facts is compelling, as are the well-developed characters, all of whom possess their own insecurities and flaws. Portnoy’s tumultuous relationship with Chana is an impressively rich subplot. The one minor criticism concerns the bulk of legalese (bankruptcy law, etc.)—while relatively interesting, some of it isn’t critical to the storyline and slows down the momentum.
A bracing revenge tale with a strong cast.Pub Date: March 3, 2022
ISBN: 978-1-68433-892-4
Page Count: 392
Publisher: Black Rose Writing
Review Posted Online: Jan. 4, 2022
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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