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HANDING ONE ANOTHER ALONG

LITERATURE AND SOCIAL REFLECTION

Intelligent observations about an array of important writers and worthy reflections on leading a more thoughtful existence,...

Pulitzer Prize winner Coles (Psychiatry and Medical Humanities/Harvard Medical School; Political Leadership, 2005, etc.) spotlights artists who guide us toward moral and social awareness.

Transcribed and edited from recordings of lectures for “A Literature of Social Reflection,” a course the author taught for two decades, the text has a casual, intimate tone. Coles frequently offers personal reminiscences, seeking to encourage students to connect literature with “the hidden curriculum we have before us over the decades of our existence. By this I mean not a subject matter that is intellectual in nature but one experiential and moral in nature. Indeed, he spends a lot of time taking potshots at intellectuals—himself as a younger man included—who avoid emotional engagement with art (and life) by overanalyzing and putting everything into academic categories. Though his central questions are the biggies—“How does one live a life? What kind of life? And for what purpose?”—Coles prefers writers who grapple with these questions on the level of daily detail and texture: William Carlos Williams, Raymond Carver, Ralph Ellison, Flannery O’Connor, John Cheever, Walker Percy, Zora Neale Hurston. (The author looks glances back at the Victorians, but his primary concern is with 20th-century literature.) Even when dealing with works generally evaluated as political statements, such George Orwell’s writings, he focuses on the authors’ personal relationship with the material, the way they challenge us to look into our own hearts for the sources of injustice and prejudice. That is also the Coles’s agenda, but with a distasteful twist. He assumes his students, and readers, are privileged people whose privileges are largely invisible to them, who must be goaded to acknowledge their human kinship with the poor, the ignorant and the oppressed rather than merely pitying them. This stance can be irritating, especially when the author parades his superior sensitivity under the guise of personal anecdotes.

Intelligent observations about an array of important writers and worthy reflections on leading a more thoughtful existence, delivered with an off-putting undercurrent of self-satisfaction.

Pub Date: Aug. 31, 2010

ISBN: 978-1-4000-6203-4

Page Count: 304

Publisher: Random House

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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