By the author of The Chocolate War (1974) and other YA fiction renowned for its fiercely astringent posing of tough questions, a gentler story for younger children, depicting a lonely 11-year-old's qualms and wonderment concerning her neighbors' Catholicism. Darcy's father is a rolling stone; shy Darcy has never had a chance to make friends. "Delta," Massachusetts, where the army has now assigned her father, is even more isolating: the neighbors are mostly "Canucks," Catholics who speak only French. Then Irish Kathleen Mary makes Darcy her best friend, insists that she demonstrate her approaching adulthood by giving away the doll that has long been Darcy's only confidante, earnestly instructs Unitarian Darcy on Catholic observances and the perils of sin, privately sprinkles her with holy water and declares her a Catholic—and then disappears forever with her deeply troubled family, leaving Darcy to puzzle about her own status and beliefs during a time when her father is declared missing in action in WW II and her mother, always frail and withdrawn, is exhausted by factory work. A saintly old nun helps Darcy to understand that, eclipsing denomination, "Loving God is the first thing." Superbly crafted, the story concludes with some trademark Cormier ambivalences: Though Darcy is the only one to hear a glorious peal of bells on Christmas Eve, and though Dad's safety is reported, by miraculous-seeming coincidence, just as Sister Angela prays for him, Kathleen's story has a tragic end that Darcy is unable to share with her reserved parents. How Darcy will deal with these conflicting experiences is left open—a disturbing but realistic conclusion to a book remarkable for its evocation of the milieu and anxieties of the era. Ray's soft-pencil illustrations beautifully reflect the story's pensive mood. A provocative look at the meaning of belief.
Pub Date: Oct. 1, 1990
ISBN: 044022862X
Page Count: 137
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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