A brilliant hodgepodge of pieces about the life and art of the 20th century's greatest composer, by his longtime associate and amanuensis. Caveat for Craft collectors: Some of this material is recycled (e.g., from Present Perspectives, 1984). If the purpose of writing about music and its creators is to send you scrambling to listen to the works themselves, this is an unqualified success. Craft, editor of three volumes of Stravinsky's correspondence and author of numerous writings about the master, has here collected 24 essays containing his ``remarks,'' musings, and reviews of works by and about the composer, approximately half of them previously unpublished. They range from an overview that focuses on Stravinsky's often abrasive personality and the perceived stylistic shifts in his music (``A Centenary View, Plus Ten'') to ``glimpses'' of his less-than-pretty private life (``Sufferings and Humiliations of Catherine Stravinsky'') to pieces focusing on individual compositions (``The Rite at Sixty-Five''; ``Svadebka: An Introduction''). These last constitute by far the best parts of this book. Four chapters devoted to the creation and performance of The Rite of Spring, an analysis of the origin and revisions of Histoire du Soldat, a discussion of the connection between Debussy and the Symphonies of Wind Instruments—all fascinate. Not that Craft can be read without irritation. His familiar insistence on the importance of his own role in Stravinsky's life (and vice versa) looks like narcissism writ large. Similarly, the amount of space devoted to the purely personal seems disproportionate. The longest essay deals with the litigation between Stravinsky's children and his second wife after his death: It's sad stuff, more appropriate to Knots Landing than to a knotty modern master, and not very enlightening about anything. Not for someone who wants linear biography. Probably not for first-time Stravinskians. But for those with an already established interest in the diverse outpourings of a genius, nearly indispensable. (Illustrations.)
Pub Date: Jan. 1, 1993
ISBN: 0-312-08896-5
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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