Although Crawford modestly claims that his biography is neither “official” nor definitive, it is unlikely to be surpassed.
A masterful biography of the canonical modernist.
In this first of a proposed two-volume life of T.S. Eliot (1888-1965), Crawford (Modern Scottish Literature/Univ. of St. Andrews; On Glasgow and Edinburgh, 2013, etc.) examines the poet’s youth and early career, ending with the publication of The Waste Land in 1922. Drawing on sources not available to previous biographers, the author fashions an authoritative, nuanced portrait. Eliot was the seventh child of a wealthy St. Louis family whose provincialism he was determined to escape. Drawn to poetry even as a teenager, he fell into “an intense engagement” with the 19th-century Romantics. At Harvard, where he was a mediocre student, he discovered the French symbolists, especially Jules Laforgue, whose poems possessed “a compulsively insinuating music” that Eliot began to imitate. Not surprisingly, he yearned to go to Paris, a plan his doting, overprotective mother sternly discouraged. Nevertheless, in 1910, Eliot sailed for Europe, enrolling in classes with the groundbreaking sociologist Emile Durkheim, psychologist Pierre Janet and philosopher Henri Bergson, thinkers who stimulated Eliot’s ideas “about the intersection between religious mysticism, asceticism, and hysteria in ‘primitive’ and modern life.” In 1914, he again left America, this time for a year at Oxford that proved life-changing: He met Ezra Pound, who responded to “The Love Song of J. Alfred Prufrock” with exuberant praise. Pound opened doors, and by 1920, married, living in London, editing and reviewing while working full-time at a bank, Eliot had become “one of the best networked younger figures in London literary publishing.” Crawford illuminates Eliot’s tormented first marriage to the volatile Vivienne Haigh-Wood; his complicated relationships with Bertrand Russell and Virginia Woolf; and his struggle to find an American publisher. Most crucially, he explores the swirling aesthetic and philosophical forces that shaped Eliot’s startling poetry.
Although Crawford modestly claims that his biography is neither “official” nor definitive, it is unlikely to be surpassed.Pub Date: April 1, 2015
ISBN: 978-0-374-27944-8
Page Count: 520
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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