While this earnest retelling details the magical gimmickry of the romantic Russian tale celebrated in Stravinsky's ballet, its humdrum style fails to capture the story's true magic, reducing it to a dungeons-and-dragons series of fortuitous adventures (```I have a magic talisman that will help us,' he said. `Now tell me about this wizard...Where is he now?' `Away on some mysterious errands,' she said''). Waldherr's oil paintings, ``applied over a golden acrylic underpainting,'' have a pleasant glow connoting the once-upon-a-time setting; they are skillfully composed, with grand, smoke-wreathed, many-headed dragons and gracefully painted details, such as flowing costumes and the Firebird's plumage. But the characters' gestures and expressions are as unimaginative as the text. As the only picture-book version in print, this may fill a need, though the story (in briefer form) is also included in Verdy's Of Swans, Sugarplums, and Satin Slippers (1991). (Folklore/Picture book. 5-10)
Pub Date: March 1, 1992
ISBN: 0-8037-0799-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1992
Categories: CHILDREN'S GENERAL CHILDREN'S
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The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)
Pub Date: Sept. 22, 2003
ISBN: 0-618-16451-0
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Sept. 15, 2003
Categories: CHILDREN'S GENERAL CHILDREN'S | CHILDREN'S SCIENCE & TECHNOLOGY
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