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CAMELOT'S COURT

INSIDE THE KENNEDY WHITE HOUSE

More than a little admiring of Arthur, but there’s cleareyed criticism of his Round Table.

The author of An Unfinished Life: John F. Kennedy, 1917–1963 (2003) returns with descriptions and assessments of the fallen president’s principal advisers.

Dallek (The Lost Peace: Leadership in a Time of Horror and Hope, 1945–1953, 2010, etc.) begins with some quick chapters about JFK’s pre-presidential life before commencing his voyage. The president’s brother Robert, the attorney general, emerges as the key adviser, reappearing continually in the narrative, especially during the most crucial issues—the missile crisis of 1962 and the civil rights agenda (which, as Dallek notes, took a back seat to foreign affairs). The author introduces each adviser with a description of his (yes, all were men) background and notes that the new president put into his Cabinet—and into his non-Cabinet advisory groups—Republicans and others who annoyed the left wing of his own party. The author shows us the roles that each played and the reputation that he had among the others and with the president. Arthur Schlesinger, for example, was more at the fringes than popular understanding would have it; the Joint Chiefs of Staff were continually at war with the White House on potential actions in Cuba, Laos, Vietnam and elsewhere. (Unsurprisingly, they favored military action.) Deputy National Security Adviser Walt Rostow emerges as the most hawkish of the bunch, and Secretary of State Dean Rusk, the least decisive and/or consistent. Dallek examines each of JFK’s crises in detail, focusing on what the advisers were (or were not) telling him, and he notes several times that their failure to reach consensus was a serious problem. The author spares no one. He chides JFK for his womanizing, LBJ for his ego and McNamara for his credulousness. Here is perhaps the only account of the 1963 March on Washington that does not mention King’s speech.

More than a little admiring of Arthur, but there’s cleareyed criticism of his Round Table.

Pub Date: Oct. 8, 2013

ISBN: 978-0-06-206584-1

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 11, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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