by Robert Darnton ‧ RELEASE DATE: Oct. 27, 2009
Of much interest to anyone with a stake in the developing Google settlement, as well as for fans of books about books.
Harvard University Library director Darnton (George Washington’s False Teeth: An Unconventional Guide to the Eighteenth Century, 2003, etc.) offers measured essays on books, libraries and publishing.
In pieces published in the New York Review of Books and elsewhere, Darnton focuses on the status of scholarly publishing and librarianship. Quoting a colleague who says that the latter is, perhaps surprisingly, tightly bound up in the world of money and power, the author notes that, for all the recent woes of the economy, a million new books are published each year around the world—books that have somehow to be put into the hands of readers. In that connection, Darnton, an eminent student of the Enlightenment and a good citizen of what that era called the Republic of Letters, considers the role of Google and its plan to scan the contents of the world’s great libraries into digital form. On the face, he writes, making such a wealth of knowledge available to readers would appear to be a public good, and there are many reasons why a bibliophile and scholar should applaud such an enterprise. Yet, he adds, after evenhanded consideration of those pluses, “The more I learned about Google, the more it appeared to be a monopoly intent on conquering markets rather than a natural ally of libraries, whose sole purpose is to preserve and diffuse knowledge.” The competing demands of public welfare and private profit occupy Darnton in several pieces, while others consider the still foggy realm of electronic publishing and the addition of value to the culture that people who work with books provide. The author also includes a few scholarly pieces on various aspects of the history of publishing (“Little is known about the way books reached bookstores from printing shops”), connected to the earlier pieces only incidentally but pleasing all the same.
Of much interest to anyone with a stake in the developing Google settlement, as well as for fans of books about books.Pub Date: Oct. 27, 2009
ISBN: 978-1-58648-826-0
Page Count: 256
Publisher: PublicAffairs
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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