A literary Australian's affliction with HIV and his decision to spend some of his remaining time in Europe are merely the pretexts for this surprisingly engrossing collection of epistolary reflections on the meaning of life, love, and time—a bestseller in Australia that deserves to find an appreciative audience here. ``Midway along the journey of our life/I woke to find myself in a dark wood,'' this book begins, quoting from Dante's Inferno (a work to which the author frequently refers throughout the text). The words aptly describe the situation in which Dessaix's anonymous protagonist finds himself, having learned that he carries the HIV virus and can quite likely look forward to a slow, agonizing death. Loathe to disrupt his quiet life (he's a writer in Melbourne) by committing himself to fight the disease, unwilling to putter along pretending it doesn't exist, he decides to drift wherever chance takes him for a while in an effort to learn to experience his remaining moments as fully as he can. In these letters home, written in a Venice hotel room over the course of 20 days, our hero details his often mundane traveling adventures through Locarno, Vicenza, and Padua; details his intriguing conversations with a mysterious German professor staying at the hotel; meditates on the innate meaning and emotional significance of the cathedrals, museums, and venerable alleyways he frequents; and makes use of numerous entertaining discourses on the history of Venice, the nature of Venetians, the differences in philosophy and style between Marco Polo and Casanova, etc., as springboards for pondering the fate which awaits him—and all of us as well. Seductive, charming, and always thought-provoking. Despite this hero's unhappy prospects, he and his creator (a literary journalist and author of an Australian-published autobiography, A Mother's Disgrace) prove the best of traveling companions, whatever your journey happens to be.
Pub Date: Nov. 1, 1997
ISBN: 0-312-16950-7
Page Count: 288
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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