An entertaining, thought-provoking vision of the peril and promise of ubiquitous digital gadgetry.
Citizens battle an oppressive technological state in Grant and Ashley’s alarming SF stories.
The authors (Grant is the founder of technology company Crown Sterling Limited; Ashley is a columnist for Forbes magazine) imagine a near-future America seamlessly woven from virtual reality, social media, online payments, self-driving cars, surveillance cameras, and social credit ratings, all merged into a convenient but suffocating corporate/governmental entity. Their uneasy protagonists include a woman whose digital accounts are hacked and obliterated by a spurned ex-boyfriend; an eighth grader who sees his town’s racist past expunged in his school’s VR history lessons; a private eye who gets targets canceled by obtaining video of them committing fat-phobic microaggressions and other thought crimes; and Civil Rights-era icon Rosa Parks, who sees her cash vanish into thin air during the 1955 Montgomery bus boycott (a fantastical metaphor for the de-banking of today’s social media dissidents). Other stories spotlight characters who fight back with their own digital technology, like a singer-songwriter who ditches her exploitative record label and goes indie using nonfungible tokens; a content creator who gets de-platformed for criticizing a creeping world government and its digital central-bank currency; and a man fed up with Friday lockdowns (imposed to reduce greenhouse emissions) who recites the Declaration of Independence to his TikTok followers and runs for city council. The authors append nonfiction commentaries to their stories, tracing their inspirations in sinister real-life developments, from the Department of Homeland Security’s proposal for a Disinformation Governance Board to World Economic Forum founder Klaus Schwab’s touting of brain implants. Grant and Ashley probe resonant, timely themes here, exploring both the seductions of immersive technology and its despotic potential. Their populist sentiments are blunt, but their techno-dystopian sketches are intriguing and scarily believable. The prose is vivid and punchy: “I peer out the window at the six lanes of traffic. Ninety percent of the vehicles don’t even have windshields. They’ve converted theirs to vidscreens so the occupants can watch Netflix while cruising. Although I suspect some are watching porn.” The result is an engrossing exploration of high-tech society and its discontents.
An entertaining, thought-provoking vision of the peril and promise of ubiquitous digital gadgetry.Pub Date: July 25, 2023
ISBN: 9781639080342
Page Count: 224
Publisher: Fast Company Press
Review Posted Online: Feb. 2, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
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