Nothing new here, but an entertaining 21st-century variant on the classic adventure tale.
Girardi (The Wrong Doyle, 2004, etc.) pits the French Foreign Legion against Muslim fanatics.
Since Louis Philippe founded the Legion in 1831, its lost-soul volunteers fight in the most desolate corners of the globe mostly because they have nothing better to do with their lives. American musical comedy actor John Smith winds up in the Legion after a disastrous trip to Istanbul that results in the murder of the girlfriend who jilted him for a wealthy Turk. Sous-lieutenant Evariste Pinard, a French Canadian drug dealer and enforcer for a Russian loan shark in France, chose the Legion over prison and deportation. And they’re two of the more savory recruits in Girardi’s nastily realistic rogues’ gallery. Yet it’s such an honor to whip lost souls like these into military shape that only the best of France’s aristocratic officer class, like Colonel Philippe de Noyer, are deemed worthy to serve in the Legion. Unfortunately, Noyer is also possessed of a hereditary tendency toward madness, sparked in his case by a particularly ugly encounter with a fundamentalist Islamic insurgency in the Western Sahara. The creepy Marabouts, who decapitate their enemies and initiate members with bee stings, are mostly an excuse for lots of action sequences featuring vastly outnumbered Legionnaires grimly holding strongholds soon to be overrun by bloodthirsty savages, or charging into hordes of similar savages crying “à moi la Legion!” This genre hasn’t changed much since Beau Geste, and Girardi is content to stick to the formula of men with dark pasts loyal only to each other, “or else what were they but a bunch of murderers?” Characterizations are brisk and vivid, as the story whips along toward a violent climax with a nice surprise twist, followed by one Legionnaire’s predictable decision to forsake the chance of love and a fresh start for more brutalization by the military.
Nothing new here, but an entertaining 21st-century variant on the classic adventure tale.Pub Date: Oct. 13, 2009
ISBN: 978-0-312-56586-2
Page Count: 352
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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