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THE END OF THE WORLD AS WE KNOW IT

SCENES FROM A LIFE

Goolrick is clearly a victim of his parents’ brutal abuse, but he has broken out of the categories of “victim” and...

A devastating debut memoir about a Southern childhood.

A simple summary of the storyline of this memoir might inspire an eye-roll: Do we really need another tale about someone growing up in a South of days-gone-by, surrounded by eccentric relatives and neighbors, with a little alcoholism and incest thrown in for good measure? But Goolrick takes that tired scenario and makes it magical. He recounts a Virginia childhood worthy of William Styron and Flannery O’Connor. The deformed weirdos, a staple of Southern grotesque, are here, including severely retarded aunt Dodo, who one day asked young Robert to kiss her passionately. Here, too, are cocktail parties that would have inspired Douglas Sirk: Goolrick describes the lavish fetes his parents threw, the lovely chiffon dresses his mother wore. But something was off-kilter, at even the grandest parties. The chiffon dresses always wound up with cigarette burns, and the hectic entertaining was artifice and pretense, a frantic effort to cover up alcoholism and other, more hideous, family secrets. The author interweaves scenes from his childhood with scenes from his adult life: his mother’s attempt to get dry, his own breakdown and drinking problem, his mother’s death. One of the most gripping and emotionally insightful passages is of his father’s funeral, where Goolrick makes clear how hard it is to bury a man you haven’t forgiven. The language is lush and poetic while never becoming purple.

Goolrick is clearly a victim of his parents’ brutal abuse, but he has broken out of the categories of “victim” and “survivor” to become a powerful truth-teller.

Pub Date: March 23, 2007

ISBN: 1-56512-481-2

Page Count: 224

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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