For lovers of literature and devotees of the New Yorker, this memoir is likely to prove endlessly captivating.
The longtime editor at Simon & Schuster, Knopf, and the New Yorker thankfully breaks his vow to never write a memoir.
Born in 1931, Gottlieb (Sarah: The Life of Sarah Bernhardt, 2010, etc.) grew up as an only child in Manhattan. Brainy, glib, and something of a know-it-all, he did not plan for a publishing career, but he happened into it during his 20s and quickly rocketed to the top. A perceptive reader of both fiction and nonfiction, Gottlieb understood his control-freak tendencies—partially recognized and worked through during rigorous psychoanalysis—but managed to collaborate smoothly with most of his authors and their literary agents, not to mention his bosses at all three employers. Throughout the book, the author offers countless vignettes, anecdotes, and bits of gossip, and most are positive in nature. At times, however, Gottlieb includes passages that savage authors, agents, publishers, and editors, including himself. The feast of names whose literature and/or personalities become skillfully illuminated by Gottlieb is vast and endlessly impressive: Joseph Heller, Jessica Mitford, Toni Morrison, Doris Lessing, Julia Child, John Updike, Barbara Tuchman, Edna O'Brien, John le Carré, Ray Bradbury, Robert Caro, Nora Ephron, Mordecai Richler, Chaim Potok, William Shirer, Michael Crichton, Kay Graham, Bill Clinton, Renata Adler, Gloria Vanderbilt, Lauren Bacall, Lillian Ross, William Shawn, Sonny Mehta, Lynn Nesbit, Swifty Lazar, Alfred A. Knopf, Blanche Knopf, and Si Newhouse. In addition, the author discusses his relationships with his co-workers (Michael Korda figures prominently, and almost all co-workers receive positive portrayals), parents, two wives, children, and friends. Almost incidentally, Gottlieb scatters suggestions about successful writing and editing techniques and, above all, how to maintain a productive author-editor collaboration.
For lovers of literature and devotees of the New Yorker, this memoir is likely to prove endlessly captivating.Pub Date: Sept. 13, 2016
ISBN: 978-0-374-27992-9
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 29, 2016
Kirkus Reviews Issue: July 15, 2016
IN THE NEWS
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
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