A revelatory book that should sustain May’s reputation and influence for at least another generation.
A penetrating yet tender engagement with one of the 20th century’s leading psychologists.
Rollo May (1909-1994) once defined therapy as “the search for one’s own myth.” Biography, then, might be read as the search for someone else’s myth. Abzug, a history professor and chair of the Jewish Studies program at the University of Texas, takes this approach, and the May that emerges from the search is one who swings wildly among grandiosity, self-doubt, profound insight, personal fumbling. It’s a far more honest portrait than May’s public image as a self-confident intellectual with his life figured out. Readers gain access to May’s inner struggles through his uncensored journals, which May gave the author three decades ago and from which he draws deeply to achieve extreme intimacy with his subject. But May lived in the world as much as his journals, and Abzug provides an excellent introduction to May’s work that also serves as a useful overview of the tenets and major figures of 20th-century psychology. May’s intellectual life was robust, and he interacted with Alfred Adler, Reinhold Niebuhr, and Paul Tillich before reaching his own prominence. Later in his career, he became a leading figure in existential psychology, joining Carl Rogers and Abraham Maslow at the forefront of the humanistic “third wave” of psychological study. If it sounds like May was everywhere at once, he was, authoring journal articles and books, giving public lectures, attending conferences, teaching, and, of course, treating patients. Refreshingly, Abzug doesn’t dwell only on May’s career. In addition, he offers portraits of youth, family, marriages, affairs, rivalries, illnesses, and deaths—all the rich stuff of life as it concerns a man who was committed to understanding and experiencing the fullest possible range of human possibility.
A revelatory book that should sustain May’s reputation and influence for at least another generation.Pub Date: Feb. 1, 2021
ISBN: 978-0-19-975437-3
Page Count: 432
Publisher: Oxford Univ.
Review Posted Online: Nov. 10, 2020
Kirkus Reviews Issue: Dec. 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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