A collection of intriguing characters too often situated in disjointed narratives.
A debut series of short stories set in locations around the world and told from a wide range of perspectives.
At the start of this collection, Hagen depicts the points of view of several different people who’ve come into contact with an unruly, seductive young man named Juan. His mother, her friends, and a girl he knows give their impressions and tell anecdotes about his selfish behavior; Juan also speaks for himself, at one point citing a moment of regret. The characters all relate their stories as if they’re responding to unseen questions, and it’s a style that’s maintained throughout the book; the first-person narrator of “The River,” for instance, describes two gruesome, untimely deaths in his village in the present tense. These two stories both feature compelling voices and intriguing ideas. However, they also feel fragmented, more like half an interview than a complete narrative. Hagen’s descriptions also make their context elusive; the locations may feel foreign to Americans or Europeans, as they feature islands, huts, and monsoons, but the text never gives readers a definitive sense of place. Other stories rectify these issues as they revisit similar themes with much more depth. In “Alfredo,” for example, an old man offers a European traveler details of life in Havana, including roaming packs of hungry dogs, long lines for the bus, and classic cars. The main character of “The Paradise Island” finds himself in a humorous but troubling predicament involving marriage customs in Bali. The shifting perspectives in “The Door” show how two people in love can have completely different ideas about the same situation. In these three standouts, each character has something engaging to offer readers, and the author fleshes out their worlds with concrete details to offer clearer understandings.
A collection of intriguing characters too often situated in disjointed narratives.Pub Date: July 25, 2015
ISBN: 978-1-5035-8441-9
Page Count: 152
Publisher: Xlibris
Review Posted Online: Dec. 18, 2015
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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