A must-read for pop-music lovers.
An influential rock critic shares highlights from more than 40 years in the business.
Longtime Los Angeles Times pop-music journalist Hilburn (Springsteen, 1986, etc.) looks back on the path he followed into what he calls “the best job in the world,” from a boyhood spent listening to his uncle’s blues and country records in Louisiana to a stint as a reporter for his San Fernando Valley high-school newspaper, for which he reviewed Elvis Presley in Love Me Tender. The book is not exactly a memoir, but rather a review of the major developments in popular music that the author played a part in shaping, both as a prescient champion of performers (Elton John, Bruce Springsteen and U2, for example) and as a sensitive interviewer who earned the trust of some of the most notoriously difficult subjects in music (most notably, Janis Joplin and Bob Dylan). Fans of Springsteen, Dylan and U2 will be thrilled to find multiple chapters devoted to their idols, who are clearly Hilburn’s favorites as well. He generously shares pages of quotes from his interviews on subjects ranging from musical influences—not surprisingly, almost everyone cites Elvis—and the craft of songwriting to the difficulty of maintaining a personal life apart from career and celebrity. The most intriguing sections, however, are the glimpses into the private lives of a who’s who of popular music in the 20th century: Johnny Cash preparing to take the stage at Folsom Prison and, late in life, at a rural Virginia barn dance; Colonel Parker keeping a tight rein on Elvis in Vegas; John Lennon sneaking chocolate and relishing cornflakes and cream at the Dakota; Michael Jackson pillow-fighting with six-year-olds while Brooke Shields and her mother waited for a date; Courtney Love beside herself worrying about Kurt Cobain. Because the incidents illustrate Hilburn’s main points about the character of the acts he believes are most worth listening to, the gossip is guilt-free.
A must-read for pop-music lovers.Pub Date: Oct. 13, 2009
ISBN: 978-1-59486-921-1
Page Count: 304
Publisher: Rodale
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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