Next book

CORN FLAKES WITH JOHN LENNON

AND OTHER TALES FROM A ROCK ’N’ ROLL LIFE

A must-read for pop-music lovers.

An influential rock critic shares highlights from more than 40 years in the business.

Longtime Los Angeles Times pop-music journalist Hilburn (Springsteen, 1986, etc.) looks back on the path he followed into what he calls “the best job in the world,” from a boyhood spent listening to his uncle’s blues and country records in Louisiana to a stint as a reporter for his San Fernando Valley high-school newspaper, for which he reviewed Elvis Presley in Love Me Tender. The book is not exactly a memoir, but rather a review of the major developments in popular music that the author played a part in shaping, both as a prescient champion of performers (Elton John, Bruce Springsteen and U2, for example) and as a sensitive interviewer who earned the trust of some of the most notoriously difficult subjects in music (most notably, Janis Joplin and Bob Dylan). Fans of Springsteen, Dylan and U2 will be thrilled to find multiple chapters devoted to their idols, who are clearly Hilburn’s favorites as well. He generously shares pages of quotes from his interviews on subjects ranging from musical influences—not surprisingly, almost everyone cites Elvis—and the craft of songwriting to the difficulty of maintaining a personal life apart from career and celebrity. The most intriguing sections, however, are the glimpses into the private lives of a who’s who of popular music in the 20th century: Johnny Cash preparing to take the stage at Folsom Prison and, late in life, at a rural Virginia barn dance; Colonel Parker keeping a tight rein on Elvis in Vegas; John Lennon sneaking chocolate and relishing cornflakes and cream at the Dakota; Michael Jackson pillow-fighting with six-year-olds while Brooke Shields and her mother waited for a date; Courtney Love beside herself worrying about Kurt Cobain. Because the incidents illustrate Hilburn’s main points about the character of the acts he believes are most worth listening to, the gossip is guilt-free.

A must-read for pop-music lovers.

Pub Date: Oct. 13, 2009

ISBN: 978-1-59486-921-1

Page Count: 304

Publisher: Rodale

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2009

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

Next book

BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

Likes

  • Readers Vote
  • 21


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Close Quickview