Sparkling history of an artistically spirited age.
Fun, fascinating examination of the moment when American and British culture seemed to lose all inhibitions.
In the middle of the 20th century, the walls of censorship were battered by courtroom decisions favoring what officials had called “indecent” literature—e.g., James Joyce’s Ulysses, Henry Miller’s Tropic of Cancer and Allen Ginsberg’s Howl. Variety senior editor Hofler (Party Animals: A Hollywood Tale of Sex, Drugs, and Rock 'n' Roll Starring the Fabulous Allan Carr, 2010, etc.) focuses on the period from 1966 to 1973, when those walls seemed to come tumbling down, not only in books, but also in film, theater and TV. Suddenly, authors, directors and producers set their sights quite frankly (albeit often satirically) on formerly taboo subjects like transsexualism (Gore Vidal’s Myra Breckinridge), masturbation (Philip Roth’s Portnoy’s Complaint), male prostitution (Midnight Cowboy) and rape (Straw Dogs). Language and subject matter became more explicit in works like the 1966 film of Edward Albee’s Who’s Afraid of Virginia Woolf and the smash-hit TV series All in the Family. Actors of both sexes began appearing fully nude on the popular stage in Hair and Oh! Calcutta! and in films like Andy Warhol’s Trash and Ken Russell’s Women in Love. Hofler’s deep research reveals the personal (and personnel) connections among many of these projects. Most astonishing, however, are the author’s chronicles of the reactionary attitudes these revolutionary works provoked in mainstream media. Readers will marvel over the ideological distance traveled since those years, particularly by the New York Times, which in 1964 fretted about “overt homosexuality” in Greenwich Village and in whose Sunday magazine in 1973 feminist Anne Roiphe clucked her tongue over “evil flower” Lance Loud, the oldest and openly gay scion of the pioneering reality show An American Family.
Sparkling history of an artistically spirited age.Pub Date: Feb. 4, 2014
ISBN: 978-0-06-208834-5
Page Count: 368
Publisher: It Books/HarperCollins
Review Posted Online: Nov. 10, 2013
Kirkus Reviews Issue: Dec. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
An intriguing approach to identifying and relating to one’s emotions.
An analysis of our emotions and the skills required to understand them.
We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”
An intriguing approach to identifying and relating to one’s emotions.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-21284-9
Page Count: 320
Publisher: Celadon Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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