Fast-paced, funny and occasionally horrifying portrait of a compulsive personality and the culture of excess that both...
Variety senior editor Hofler (The Man Who Invented Rock Hudson: The Pretty Boys and Dirty Deals of Henry Willson, 2005, etc.) presents the gaudy career of flamboyant Hollywood and Broadway producer Allan Carr (1937–1999), a strong contender for the most tasteless tyro in show business.
Caftan-clad, morbidly obese and publicly gay in an era when, even in the entertainment industry, flaunting one’s homosexuality was still very much taboo, Carr cut a curious figure among the beautiful people of Hollywood. He cultivated an outrageous public persona and marshaled his gifts for promotion to create a series of extravagantly themed parties that brought together old-school Hollywood royalty, rock musicians and the gay demimonde in sybaritic soirees with names like “The Mick Jagger Cycle Sluts Party.” The parties were hits, but as a producer, Carr’s record was rather mixed. His sensibilities synched up perfectly with the stage musical Grease, and he shepherded the massively successful film adaptation in 1978. Lightning struck again with his Broadway musical adaptation of the French farce La Cage aux Folles (1983), a long-running hit that also broke boundaries in bringing its gay subject matter to a mainstream theater audience. But Carr’s debit column is a doozy, containing the legendarily tacky and inept Village People vehicle Can’t Stop the Music (1980) and gauche cinematic non-events Grease 2 (1982) and Where the Boys are ’84. Most damning, though, was the 1989 Academy Awards broadcast, a fiasco of epic proportions that reached its nadir with a tone-deaf Rob Lowe warbling “Proud Mary” to Snow White. The Oscars telecast effectively ended Carr’s career, and the ailing producer retreated to his pleasure palace of a house and succumbed to his chronic health problems, ultimately dying of liver cancer. Does this tawdry legacy warrant a book? That’s debatable, but Hofler delivers a hell of a tour of Hollywood egotism, crassness and gross excess. Carr would have approved.
Fast-paced, funny and occasionally horrifying portrait of a compulsive personality and the culture of excess that both created and destroyed him.Pub Date: March 2, 2010
ISBN: 978-0-306-81655-0
Page Count: 320
Publisher: Da Capo
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
