A long, unblinking look in time’s mirror, by a writer who has spent his life mastering his subject and his craft.
A sometimes poignant, sometimes nasty, often amusing and always erudite memoir by the historian and art critic (Goya, 2003, etc.).
Hughes begins his account with near-death (a 1999 car crash in Australia), ends with the beginnings of his professional life in 1970 (aboard a plane from Rome to New York City, where he will begin his long tenure as art critic for Time magazine). In between are stories about his family (the Hugheses had some prominence Down Under; his father was a heroic pilot in WWI), about his fierce Roman Catholic schooling (it didn’t take), the genesis of his love of art, his decision to leave Australia, his loves and losses and failed marriage, his European travels, his gradual emergence as a writer, his relationships with artists and publishers and the BBC (for whom he freelanced). At times, Hughes is gleefully self-deprecating, no more so than during his protracted tragi-comic account of his marriage to a woman who, throughout their relationship, apparently slept with just about every weirdo in London (and elsewhere) in the ’60s, including Jimi Hendrix, whose contribution to Hughes family harmony was a case of the clap. “I was a cuckold going cuckoo,” he laments. The author also skewers and grills a number of folks and phenomena and fashions—from Tiny Tim to Irwin Shaw (who once stole Hughes’s girlfriend) to Easy Rider to what he views as the entire anti-intellectual, superficial, hyper-religious, ultra-phony, trashy, celebrity-besotted American culture of today. Some highlights: the merry mortars he launches against the Australian press, his stories about Catholic boarding school, his account of Florence’s disastrous 1966 flood, his flops as a writer (he couldn’t finish a book on da Vinci), his swift report about his courtship by Time. (An error: Polonius is addressing Laertes, not Hamlet, when he says “to thine own self be true.”)
A long, unblinking look in time’s mirror, by a writer who has spent his life mastering his subject and his craft.Pub Date: Sept. 25, 2006
ISBN: 1-4000-4444-8
Page Count: 416
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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