Next book

THE ARABIAN NIGHTS

A COMPANION

Matching The Arabian Nights' scope and enchantment with erudition and wit, Irwin (The Arabian Nightmare, 1987) explores its elusive kingdom of stories, delving into the vast work's textual genesis, cultural history, and literary legacy. The most influential book in the Western canon that does not actually belong to it, The Arabian Nights never enjoyed the same literary status in the East, and its origins have been made only murkier by its reception in Europe. Irwin begins with the translators who popularized the Nights and, along the way, bowdlerized and warped it, or even inserted their own episodes. Most famously, Aladdin, who has no Arabic version predating his appearance in 18th-century France, may well have been the creation of translator Antoine Galland, not of Scheherazade. Irwin wryly glosses these early translations, which distortedly mirror the original Eastern exoticism with the reflections of their age's prejudices and their translators' personal eccentricities (notably the lexical, racial, and sexual obsessions of the Victorian adventurer Sir Richard Burton). The earlier Arabic compilations are no more reliable, however—Irwin devotes a separate chapter to forerunners (conjectural or lost) over several centuries, from India to Persia and Egypt. In a quixotic effort to amass 1,001 actual tales, these medieval compilers would incorporate local legends and real settings, sometimes approaching souk storytellers as sources. Throughout, Irwin's scholarly acumen illuminates these myriad worlds of the Nights, whether the cityscapes of the Mamelukes, the urban rogues' gallery of thieves and bazaar magicians, or the marvels of jinn and clockwork birds. The longest chapter is a selected roster of its literary heirs, from nursery fables and gothic novels through Proust, Joyce, and Borges, to contemporaries like Salman Rushdie and John Barth. An enchanting dragoman and chaperon for sleepless nights with Scheherazade.

Pub Date: Sept. 1, 1994

ISBN: 0-713-99105-4

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview