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HIGH PLAINS TANGO

About half a book, and pretty thin at that.

Waller (Puerto Vallarta Squeeze, 1995, etc.) brings schmaltz to another plane with this tale of a small prairie town threatened by evil highway developers.

One of the few surprises here is that the setting—the tiny burg of Salamander, S.D.—is far from idealized. Instead of the expected portrait of hardy Midwestern folk fighting tough times and bad weather with heartland pluck, we get a caustic handful of farmers griping about big government while pocketing their subsidy checks and watching their town dry up and start to blow away. Into this landscape of no expectations comes Carlisle McMillan, a bookish California carpenter with a vaguely hippy air and looks that set the womenfolk’s hearts aflutter. With his hardscrabble, educated idealism and rough-hewn good looks, he’s like Jesus with a libido. Carlisle buys a rundown shack on the outskirts of town and sets about renovating it, which provides the bulk of the drama for about the first half of the story. Sadly, that’s much more interesting than the melodramatic complications that follow. Once Carlisle finishes his shack—filled with gorgeous little handcrafted objets d’art, as well as not one but eventually two nubile local women, wouldn’t you know—he has the luck to find a rare species of hawk living nearby. The hawks become an issue once the government decides to run a six-lane highway right through his land. The townspeople, worried that Carlisle and his endangered birds are going to stall the highway (which they’ve been hoodwinked into thinking is an economic necessity), launch a campaign of intimidation, which proves far less interesting than the mundane details of how he fixed it up his house. Swinging from renovation chic to antidevelopment polemic, Waller stops along the way for some hackneyed business about an Indian sacred site nearby.

About half a book, and pretty thin at that.

Pub Date: June 28, 2005

ISBN: 0-307-20994-6

Page Count: 304

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2005

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MIDNIGHT BAYOU

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...

A gumbo seasoned with ghosts, love, and murder on the bayou.

When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.

Pub Date: Oct. 1, 2001

ISBN: 0-399-14824-8

Page Count: 368

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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BLUEBIRD, BLUEBIRD

From the Darren Mathews series , Vol. 1

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...

What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.

With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-36329-7

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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