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DREADNOUGHT

BRITAIN, GERMANY, AND THE COMING OF THE GREAT WAR

Here, as with his Pulitzer Prize-winning Peter the Great (1980), Massie disdains the virtues of literary economy. Yet this history of pre-WW I super-rivalry is much more than an imposing doorstop, for the author is a master of the Barbara Tuchman/William Manchester school of popular history. If there is a villain of this epic, it is Germany's Kaiser William II. Autocratic, bellicose, and tactless enough to refer to British ministers as ``unmitigated noodles,'' he understandably grieved his grandmother and uncle, Britain's Queen Victoria and the Prince of Wales (later King Edward VII). In his desire for Weltmacht (world power), William, in 1887, decided to complement the world's most powerful army with a formidable battle fleet, so alarming Great Britain that it ended its foreign policy of ``Splendid Isolation'' from Continental affairs and began a frantic shipbuilding program of its own. Massie follows the fortunes of the two countries through colonial disputes, secret understandings with former foes, high-wire diplomacy, and tit-for-tat building of dreadnoughts (the class of fast, all-big-gun battleships named for the innovative British vessel built in 1906). Like 19th-century novelists, Massie employs an epic narrative that leisurely explores characters, including such military and political figures as Admirals Alfred von Tirpitz and John Fisher, the commanders who radically transformed their countries' naval defenses; Bernard von Bulow, the cynical German Chancellor who ``lacked purpose, scruples, courage, and a vision of his own''; and Winston Churchill. A dramatic re-creation of the diplomatic minuets and military brinkmanship that preceded, and made inevitable, the guns of August 1914 and the resulting catastrophes of this century. (Sixteen pages of b&w photographs; maps.) (Book-of-the-Month Split Main Selection for December)

Pub Date: Nov. 12, 1991

ISBN: 0-394-52833-6

Page Count: 1004

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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